The Atlantic Monthly, Volume 2, No. 14, December 1858: A Magazine of Literature, Art, and PoliticsVarious
Philosophy
The Atlantic Monthly, Volume 2, No. 14, December 1858: A Magazine of Literature, Art, and Politics
Various
American periodicals
Not inebriating, but exhilarating punch; not punch of which the more a
man imbibes the worse he is, but punch of which the deeper the quaffings
the better the effects; not a compound of acids and sweets, hot water
and fire-water, to steal away the brains,--but a finer mixture of
subtler elements, conducive to mental and moral health; not, in a word,
punch, the drink, but "Punch," the wise wag, the genial philosopher,
with his brevity of stature, goodly-conditioned paunch, next-to-nothing
legs, protuberant back, bill-hook nose, and twinkling eyes,--to speak
respectfully, Mr. Punch, attended by the solemnly-sagacious,
ubiquitously-versatile "Toby," together with the invisible company of
skirmishers of the quill and pencil, producing in his name those
ever-welcome sheets, flying forth the world over, with hebdomadal
punctuality. Of the ingredients and salutary influence of this Punch--an
institution and power of the age, no more to be overlooked among the
forces of the nineteenth century than is the steam-engine or the
magnetic telegraph--we propose to speak;--not, however, because of the
comicality of the theme; for the fun that surrounds, permeates, and
saturates it would hardly move us to discourse of it here, if it had not
higher claims to attention. To take Punch only for a clown is to
_mis_take him egregiously. Joker as he is, he himself is no joke. The
fool's-cap he wears does not prove him to be a fool; and even when he
touches the tip of his nasal organ with his fore-finger and winks so
irresistibly, meaning lurks in his facetious features, to assure you he
does not jest without a purpose, or play the buffoon only to coin
sixpences. The fact, then, we propose to illustrate is this:--that Punch
is a teacher and philanthropist, a lover of truth, a despiser of cant,
an advocate of right, a hater of shams,--a hale, hearty old gentleman,
whose notions are not dyspeptic croakings, but healthful opinions of
good digestion, and who, though he wear motley and indulge in drolleries
without measure, is full of sense and sensibility.
The birth-place and parentage of Punch are involved in some doubt,--a
fate he shares with several of the world's other heroes, ancient and
modern. Accounts differ; and as he has not chosen to settle the question
autobiographically, we follow substantially the narrative[4]--that ought
to be true; for, mythical or historical, it appropriately localizes and
fitly circumstances the nativity of the humorist of the age.
Public-domain text, read in full here on John Shaqi.
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