The Atlantic Monthly, Volume 2, No. 14, December 1858: A Magazine of Literature, Art, and PoliticsVarious
Philosophy
The Atlantic Monthly, Volume 2, No. 14, December 1858: A Magazine of Literature, Art, and Politics
Various
American periodicals
Punch is the friend of all who are friendless, and, with a generous
spirit of protection, gives credit to whom credit is due, whatever
conventionality, precedent, monopoly, or routine may say to the
contrary. During the Crimean War, he took care of the fame of the
rank-and-file of the army. The dispatches to Downing Street, reporting
the gallantry of titled officers, were more than matched by Punch's
imitative dispatches from the seat of war, setting forth the exploits of
Sergeant O'Brien, Corporal Stout, or Private Gubbins. He saw to it that
those who had the hardest of the fight, the smallest pay, and the
coarsest rations, should not be forgotten in the gazetting of the
heroes. Indeed, our comic friend's fellowship of soul with the humblest
members of the human family is a notable trait; it is so ready, and yet
withal so judicious. It is no part of his philosophy, as already
intimated, violently and rashly to disturb the existing order of things,
and set one class in rebellion against other classes. He simply insists
upon the recognition of the law of mutual dependence all round. This is
observable in his dealing with the vexed question of domestic service.
The prime trouble of housekeeping comes in frequently for a share of his
attention; and underneath ironical counsels, you may trace, quietly
insinuating itself into graphic sketches, the genial intent fairly to
adjust the relations between life above and life below stairs.
Accordingly, Punch sees no reason why Angelina may have a lover in the
parlor, whilst Bridget's engagement forbids her to entertain a fond
"follower" in the kitchen; and he perversely refuses to see how it can
be right for Miss Julia to listen to the soft nonsense of Captain
Augustus Fitzroy in the drawing-room, and entirely wrong for Molly, the
nursery-maid, to blush at the blunt admiration of the policeman, talking
to her down the area. Punch is independent and original in this respect.
His strange creed seems to be, that human nature _is_ human
nature,--whether, in its feminine department, you robe it in silk or
calico, and, in its male department, button a red coat over the breast
of an officer of the Guards, or put the coarse jerkin on the broad back
of the industrious toilsman. And according to this whimsical belief, he
writes and talks jocosely, but with covert common sense. His warm and
catholic humanity runs up and down the whole social scale with a
clear-sighted equity. His philanthropy is what the word literally
signifies,--the love of man as man, and because he is a man. Without
being an impracticable fanatic, advocating impossible theories, or
theories that can grow into realities only with the gradual progress of
the race,--without indulging in fanciful visions of unapproached
Utopias,--without imagining that all, wherever born and however
nurtured, can reach the same level of wealth and station,--he holds, not
merely that
"Honor and shame from no condition rise,"
Public-domain text, read in full here on John Shaqi.
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