The Atlantic Monthly, Volume 2, No. 14, December 1858: A Magazine of Literature, Art, and PoliticsVarious
Philosophy
The Atlantic Monthly, Volume 2, No. 14, December 1858: A Magazine of Literature, Art, and Politics
Various
American periodicals
"'D'ye see that rock on the beach, boys,' says he, 'in range of that
lone tree, on the point? Did any of you ever see that rock before? I
wish this bloody coast had a few more such rocks! That's a cow whale,
and this bight is her nursery, and she is up on the beach for her calf's
convenience. Now, then,'--as we opened the bight and got a fair sight of
it,--'give way, strong as you please,--and we'll head her off, before
she knows it.'
"We got her and got the calf, and when, next morning, the other ships
saw us cutting in, they didn't say much about that race; and 'Old T.'s
Nursery' was a byword on the coast as long as we staid there.
"There goes eight bells, and I rather think Mr. Brown will want me on
deck." We followed, for there was the prospect of seeing topsails
reefed,--the most glorious event of a landsman's sea-experiences. We had
begun the day with a dead calm, but toward night the wind had come out
of the eastward. Each plunge the ship gave was sharper, each shock
heavier. The topmasts were working, the lee-shrouds and backstays
straining out into endless curves. A deeper plunge than usual, a pause
for a second, as if everything in the world suddenly stood still, and a
great white giant seems to spring upon our weather-bow and to leap on
board. We hear the crash and feel the shock, and presently the water
comes pouring aft,--and Captain Cope calls out to reef
topsails,--double-reef fore and mizzen,--one reef in the main. The mates
are in the weather-rigging before the word is out of the captain's lips,
to take the earings of their respective topsails; and then follows the
rush of men up the shrouds and out along the yards. The sails are
slatting and flapping, and one can hardly see the row of broad backs
against the dusky sky as they bend over the canvas. There are hoarse
murmurs, and calls to "light up the sail to windward"; and presently
from the fore-topsail-yard comes the cry, ringing and clear,--"Haul away
to leeward!"--repeated next moment from the main and echoed from the
mizzen. Sheltered by the weather-bulwarks, and with one arm round a
mizzen-backstay, there is a capital place to watch all this and feel the
glorious thrill of the sea,--to look down the sloping deck into the
black billows, with here and there a white patch of foam, and while the
organ-harp overhead is sounding its magnificent symphony. It is but
wood and iron and hemp and canvas that is doing all this, with some
thirty poor, broken-down, dissipated wretches, who, being fit for
nothing else, of course _are_ fit for the fo'castle of a Liverpool
Liner. Yet it is, for all that, something which haunts the memory
long,--which comes back years after in inland vales and quiet
farm-houses like brown-moss agates set in emerald meadows, in book-lined
studios, and in close city streets. For it is part of the might and
mystery of the sea, the secret influence that sets the blood on fire and
the heart throbbing,--of any in whose veins runs some of the true
Public-domain text, read in full here on John Shaqi.
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