When affairs are at their worst, a bold project may retrieve them by giving an assurance, else wanting, that hope, spirit, and energy still exist. AFFINITIES. Place an inferior character in contact with the finest circumstances, and, from wanting affinities with them, he will still remain, from no fault of his own, insensible to their attractions. Take him up the mount of vision, and show him the finest scene in Nature, and, instead of taking in the whole circle of its beauty, he will, quite as likely, have his attention engrossed by something mean and insignificant under his nose. I was reminded of this, on taking a little boy, three years old, to the top of the New York Reservoir. Placing him on one of the parapets, I endeavored to call his attention to the more salient and distant features of the extended prospect; but the little fellow's mind was too immature to be at all appreciative of them. His interest was confined to what he saw going on in a dirty inclosure on the opposite side of the street, where two or three goats were moving about. After watching them with curious interest for some time, "See, see!" said he, "dem is pigs down dare!" Was there need for quarrelling with my fine little man for seeing pigs where there were only goats, or goats where there was much worthier to be seen? AFTER THE BATTLE. A brave deed performed, a noble object accomplished, gives a fillip to the spirits, an exhilaration to the feelings, like that imparted by Champagne, only more permanent. It is, indeed, admirably well said by one wise to discern the truth of things, and able to give to his thought a vigorous expression, that "a man feels relieved and gay when he has put his heart into his work and done his best; but what he has said or done otherwise shall give him no peace." APPLAUSE. Noble acts deserve a generous appreciation. Indeed, it is a species of injustice not to warmly applaud whatever is wisely said or ably done. Fine things are shown that they may be admired. When the peacock struts about, it is to show what a fine tail he has. ARTISTS. The artist's business is with the beautiful. The repugnant is outside of his province. Let him study only the beautiful, and he will always be pleased; let him treat only of the beautiful, with a true feeling for it, and he will always give pleasure. The artist must love both his art and the subjects of his art. Nothing that is not lovable is worth portraying. In the portrait of Rosa Bonheur, she is appropriately represented with one arm thrown affectionately around the neck of a bull. She must have loved this order of animals, to have painted them so well. AUTHORS.