The Atlantic Monthly, Volume 2, No. 14, December 1858: A Magazine of Literature, Art, and PoliticsVarious
Philosophy
The Atlantic Monthly, Volume 2, No. 14, December 1858: A Magazine of Literature, Art, and Politics
Various
American periodicals
"Bless me! that was a sigh! The sleeping waters then did show a dimple.
Why, man, _you_ talk about love, with that smooth, shepherd's face of
yours, that contented air, that smoothly sonorous voice! Corydon and
Phyllis! You should be like a grand piano after Satter has thundered out
all its chords, tremulous with harmonies verging so near to discord that
pain would be mixed with pleasure in the divinest proportions."
Greenleaf clapped his hands. "Bravo, Easelmann! you have mistaken your
vocation; you should turn musical critic."
"The arts are all akin," he replied, calmly refilling his pipe.
"I think I can put together the various parts of your lecture for you,"
said Greenleaf. "You think I see Nature in her gentler moods, and
reproduce only her placid features. You think I have feeling, though
latent,--undeveloped. My nerves need a banging, just enough not to
wholly unstring them. For that pleasant experience, I am to fall in
love. The woman who has the nature to magnetize, overpower, transport me
is Miss Marcia Sandford. I am, therefore, to make myself as
uncomfortable as possible, in pursuit of a pleasure I know beforehand I
can never obtain. Then, from the rather prosaic level of Scumble, I
shall rise to the grand, gloomy, and melodramatic style of Salvator
Rosa. _Voila tout!_
"An admirable summary. You have listened well. But tell me now,--what do
_you_ think? Or do you wander like a little brook, without any will of
your own, between such banks as Fate may hem you in withal?"
"I will be frank with you. Until last season, I never had a serious,
definite purpose in life. I fell in love then with the most charming of
country-girls."
"I know," interrupted Easelmann, in a denser cloud than usual,--"a
village Lucy,--'a violet 'neath a mossy stone, fair as a star when only
one,'--you know the rest of it. She was fair because there _was_ only
one."
"Silence, Mephistopheles! it is my turn; let me finish my story. I never
told her my love"----
"'But let concealment'"----
"Attend to your pipe; it is going out. I did _look_, however. The
language of the eyes needs no translation. I often walked, sketched,
talked with the girl, and I felt that there was the completest sympathy
between us. I knew her feelings towards me, as well, I am persuaded, as
she knew mine. I gave her no pledge, no keepsake; I only managed, by an
artifice, to get her daguerreotype at a travelling saloon."
Easelmann laughed. "Let me see it, most modest of lovers!"
"You sha'n't. Your evil eye shall not fall upon it After I came to
Boston, I took a room and began working up my sketches"----
"Where I found you brushing away for dear life."
"I meant to earn enough to go abroad, if it were only for one look at
the great pictures of which I have so often dreamed. Then I meant to
come back"----
"To find your Lucy married to a schoolmaster, and with five sickly
children."
"No,--she is but seventeen; she will not marry till I see her."
Public-domain text, read in full here on John Shaqi.
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