The Atlantic Monthly, Volume 20, No. 117, July, 1867: A Magazine of Literature, Science, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 20, No. 117, July, 1867: A Magazine of Literature, Science, Art, and Politics
Various
American periodicals
"They were pursuing their rounds, and performing their duties with an
ease and facility that promised a speedy termination to their labors,
when suddenly they came upon an instrument that, from its external
appearance,--solidly rich, yet free from the frippery that was then
rather in fashion,--attracted their attention. One of the company opened
the case, and carelessly struck a few chords. The others were doing the
same with its neighbors, but somehow they ceased to chatter when the
other instrument began to speak. One by one the jurors gathered round
the strange polyphonist, and, without a word being spoken, every one
knew that it was the best piano-forte in the Exhibition. The jurors were
true to their duties. It is possible that some of them had predilections
in favor of other makers; it is certain that one of them had,--the
writer of the present notice. But when the time for the award came,
there was no argument, no discussion, no bare presentment of minor
claims; nothing, in fact, but a hearty indorsement of the singular
merits of the strange instrument."
From that time the Steinways made rapid progress. The tide of
California gold was flowing in, and every day some one was getting rich
enough to treat his family to a new piano. It was the Messrs. Steinway
who chiefly supplied the new demand, without lessening by one instrument
a month the business of older houses. Various improvements in the
framing and mechanism of the piano have been invented and introduced by
them; and, while some members of the family have superintended the
manufacture, others have conducted the not less difficult business of
selling. To this hour, the father of the family, in the dress of a
workman, attends daily at the factory, as vigilant and active as ever,
though now past seventy; and his surviving sons are as laboriously
engaged in assisting him as they were in the infancy of the
establishment.
Besides the Chickerings and the Steinways, there are twenty
manufacturers in the United States whose production exceeds one hundred
pianos per annum. Messrs. Knabe & Co. of Baltimore, who supply large
portions of the South and West, sold about a thousand pianos in the year
1866; W. P. Emerson of Boston, 935; Messrs. Haines Brothers of New York,
830; Messrs. Hallett and Davis of Boston, 462; Ernest Gabler of New
York, 312; Messrs. E. C. Lighte & Co. of New York, 286; Messrs. Hazelton
and Brothers of New York, 269; Albert Webber of New York, 266; Messrs.
Decker Brothers of New York, 256; Messrs. George Steck and Co. of New
York, 244; W. I. Bradbury of New York, 244; Messrs. Lindeman and Sons of
New York, 223; the New York Piano-forte Company, 139. About one half of
all the pianos made in the United States are made in the city of New
York.
Public-domain text, read in full here on John Shaqi.
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