The Atlantic Monthly, Volume 20, No. 117, July, 1867: A Magazine of Literature, Science, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 20, No. 117, July, 1867: A Magazine of Literature, Science, Art, and Politics
Various
American periodicals
The light, strong way in which our author goes forward in this story
from the first, and does not leave difficulty to his readers, is
pleasing to those accustomed to find an American novel a good deal like
the now extinct American stage-coach whose passengers not only walked
over bad pieces of road, but carried fence-rails on their shoulders to
pry the vehicle out of the sloughs and miry places. It was partly the
fault of the imperfect roads, no doubt, and it may be that our social
ways have only just now settled into such a state as makes smooth going
for the novelist; nevertheless, the old stage-coach was hard to travel
in, and what with drafts upon one's good nature for assistance, it must
be confessed that our novelists have been rather trying to their
readers. It is well enough with us all while the road is good,--a study
of individual character, a bit of landscape, a stretch of well-worn
plot, gentle slopes of incident; but somewhere on the way the passengers
are pretty sure to be asked to step out,--the ladies to walk on ahead,
and the gentlemen to fetch fence-rails.
Our author imagines a Southern loyalist and his daughter sojourning in
New Boston, Barataria, during the first months of the war. Dr. Ravenel
has escaped from New Orleans just before the Rebellion began, and has
brought away with him the most sarcastic and humorous contempt and
abhorrence of his late fellow-citizens, while his daughter, an ardent
and charming little blonde Rebel, remembers Louisiana with longing and
blind admiration. The Doctor, born in South Carolina, and living all his
days among slaveholders and slavery, has not learned to love either; but
Lillie differs from him so widely as to scream with joy when she hears
of Bull Run. Naturally she cannot fall in love with Mr. Colburne, the
young New Boston lawyer, who goes into the war conscientiously for his
country's sake, and resolved for his own to make himself worthy and
lovable in Lillie's blue eyes by destroying and desolating all that she
holds dear. It requires her marriage with Colonel Carter--a Virginia
gentleman, a good-natured drunkard and _roue_ and soldier of fortune on
our side--to make her see Colburne's worth, as it requires some
comparative study of New Orleans and New Boston, on her return to her
own city, to make her love the North. Bereft of her husband by his own
wicked weakness, and then widowed, she can at last wisely love and marry
Colburne; and, cured of Secession by experiencing on her father's
account the treatment received by Unionists in New Orleans, her
conversion to loyalty is a question of time duly settled before the
story ends.
Public-domain text, read in full here on John Shaqi.
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