The Atlantic Monthly, Volume 20, No. 117, July, 1867: A Magazine of Literature, Science, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 20, No. 117, July, 1867: A Magazine of Literature, Science, Art, and Politics
Various
American periodicals
Entering at the enchanted portal of the Villa P----, we found ourselves
in a realm of wonder. It was our misfortune not to see the magician who
compelled all the marvels on which we looked, but for that very reason,
perhaps, we have the clearest sense of his greatness. Everywhere we
beheld the evidences of his ingenious but lugubrious fancy, which
everywhere tended to a monumental and mortuary effect. A sort of
vestibule first received us, and beyond this dripped and glimmered the
garden. The walls of the vestibule were covered with inscriptions
setting forth the sentiments of the philosophy and piety of all ages
concerning life and death; we began with Confucius, and we ended with
Benjamino Franklino. But as if these ideas of mortality were not
sufficiently depressing, the funereal Signor P----had collected into
earthern _amphorae_ the ashes of the most famous men of ancient and
modern times, and arranged them so that a sense of their number and
variety should at once strike his visitor. Each jar was conspicuously
labelled with the name its illustrious dust had borne in life; and if
one escaped with comparative cheerfulness from the thought that Seneca
had died, there were in the very next pot the cinders of Napoleon to
bully him back to a sense of his mortality.
We were glad to have the gloomy fascination of these objects broken by
the custodian, who approached to ask if we wished to see the prisons of
Ecelino, and we willingly followed him into the rain out of our
sepulchral shelter.
Between the vestibule and the towers of the tyrant lay that garden
already mentioned, and our guide led us through ranks of weeping
statuary, and rainy bowers, and showery lanes of shrubbery, until we
reached the door of his cottage. While he entered to fetch the key to
the prisons, we noted that the towers were freshly painted and in
perfect repair; and indeed the custodian said frankly enough, on
reappearing, that they were merely built over the prisons on the site of
the original towers. The storied stream of the Bacchiglione sweeps
through the grounds, and now, swollen by the rainfall, it roared, a
yellow torrent, under a corner of the prisons. The towers rise from
masses of foliage, and form no unpleasing feature of what must be, in
spite of Signor P----, a delightful Italian garden in sunny weather. The
ground is not so flat as elsewhere in Padua, and this inequality gives
an additional picturesqueness to the place. But as we were come in
search of horrors, we scorned these merely lovely things, and hastened
to immure ourselves in the dungeons below. The custodian, lighting a
candle, (which ought, we felt, to have been a torch,) went before.
We found the cells, though narrow and dark, not uncomfortable, and the
guide conceded that they had undergone some repairs since Ecelino's
time. But all the horrors for which we had come were there in perfect
grisliness, and labelled by the ingenious Signor P---- with Latin
inscriptions.
Public-domain text, read in full here on John Shaqi.
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