The Atlantic Monthly, Volume 20, No. 117, July, 1867: A Magazine of Literature, Science, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 20, No. 117, July, 1867: A Magazine of Literature, Science, Art, and Politics
Various
American periodicals
In the first cell was a shrine of the Virgin, set in the wall. Beneath
this, while the wretched prisoner knelt in prayer, a trap-door opened
and precipitated him down upon the points of knives, from which his body
fell into the Bacchiglione below. In the next cell, held by some rusty
iron rings to the wall, was a skeleton, hanging by the wrists.
"This," said the guide, "was another punishment of which Ecelino was
very fond."
A dreadful doubt seized my mind. "Was this skeleton found here?" I
demanded.
Without faltering an instant, without so much as winking an eye, the
custodian replied, "_Appunto_."
It was a great relief, and restored me to confidence in the
establishment. I am at a loss to explain how my faith should have been
confirmed afterwards by coming upon a guillotine--an awful instrument in
the likeness of a straw-cutter, with a decapitated wooden figure under
its blade--which the custodian confessed to be a modern improvement
placed there by Signor P----. Yet my credulity was so strengthened by
his candor, that I accepted without hesitation the torture of the
water-drop when we came to it. The water-jar was as well preserved as if
placed there but yesterday, and the skeleton beneath it--found as we saw
it--was entire and perfect.
In the adjoining cell sat a skeleton--found as we saw it--with its neck
in the clutch of the garrote, which was one of Ecelino's more merciful
punishments; while in still another cell the ferocity of the tyrant
appeared in the penalty inflicted upon the wretch whose skeleton had
been hanging for ages--as we saw it--head downwards from the ceiling.
Beyond these, in a yet darker and drearier dungeon, stood a heavy oblong
wooden box, with two apertures near the top, peering through which we
found that we were looking into the eyeless sockets of a skull. Within
this box Ecelino had immured the victim we beheld there, and left him to
perish in view of the platters of food and goblets of drink placed just
beyond the reach of his hands. The food we saw was of course not the
original food.
At last we came to the crowning horror of Villa P----, the supreme
excess of Ecelino's cruelty. The guide entered the cell before us, and,
as we gained the threshold, threw the light of his taper vividly upon a
block that stood in the middle of the floor. Fixed to the block by an
immense spike driven through from the back was the little slender hand
of a woman, which lay there just as it had been struck from the living
arm, and which, after the lapse of so many centuries, was still as
perfectly preserved as if it had been embalmed. The sight had a most
cruel fascination; and while one of the horror-seekers stood helplessly
conjuring to his vision that scene of unknown dread,--the shrinking,
shrieking woman dragged to the block, the wild, shrill, horrible screech
following the blow that drove in the spike, the merciful swoon after the
mutilation,--his companion, with a sudden pallor, demanded to be taken
instantly away.
Public-domain text, read in full here on John Shaqi.
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