The Atlantic Monthly, Volume 20, No. 119, September, 1867: A Magazine of Literature, Science, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 20, No. 119, September, 1867: A Magazine of Literature, Science, Art, and Politics
Various
American periodicals
We were in sight of the breakwater outside Malamocco, and a pilot-boat
was making us from the land. Even at this point the fortifications of
the Austrians began, and they multiplied as we drew near Venice, till we
entered the lagoon, and found it a nest of fortresses, one within
another.
Unhappily, the day being rainy, Venice did not spring resplendent from
the sea, as I had always read she would. She rose slowly and languidly
from the water,--not like a queen, but like the slovenly, heart-broken
old slave she was.
IV.
CANOVA'S BIRTHPLACE.
From Venice to the city of Vicenza by rail it is two hours, and thence
you must take a carriage if you would go to Bassano, which is an opulent
and busy little grain mart of some twelve thousand souls, about thirty
miles north of Venice, at the foot of the Alps. We reached the town at
nine o'clock. It was moonlight; and as we looked out we saw the quaint,
steep streets full of promenaders, and everybody in Bassano seemed to be
making love. Young girls strolled about the picturesque way with their
lovers, and tender couples were cooing at all the doors and windows.
Bassano is the birthplace of the painter Jacopo da Ponte, who was one of
the first Italian painters to treat Scriptural story as accessory to
mere landscape, and who had a peculiar fondness for painting Entrances
into the Ark, because he could indulge without stint the taste for
pairing-off early acquired from observation of the just-mentioned local
customs in his native town. This was the theory offered by one who had
imbibed the spirit of subtile speculation from Ruskin, and I think it
reasonable. At least it does not conflict with the fact that there is at
Bassano a most excellent gallery of paintings entirely devoted to the
works of Jacopo da Ponte and his four sons, who are here to be seen to
better advantage than anywhere else. As few strangers visit Bassano, the
gallery is little frequented. It is in charge of a very strict old man,
who will not allow people to look at the pictures till he has shown them
the adjoining cabinet of geological specimens. It is in vain that you
assure him of your indifference to these scientific _seccature_; he is
deaf, and you are not suffered to escape a single fossil. He asked us a
hundred questions, and understood nothing in reply, insomuch that when
he came to his last inquiry, "Have the Protestants the same God as the
Catholics?" we were rather glad that he should be obliged to settle the
fact for himself.
Public-domain text, read in full here on John Shaqi.
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