The Atlantic Monthly, Volume 20, No. 119, September, 1867: A Magazine of Literature, Science, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 20, No. 119, September, 1867: A Magazine of Literature, Science, Art, and Politics
Various
American periodicals
Virginie de Terville, as has been said, was a different being, not only
in the freshness and bloom of her beauty, but also by virtue of her
domestic education, from the artificial goddesses of the Parisian sphere
with whom she had been thrown into temporary contact. But her visit had
not been long enough to reveal to her what lay beneath the glittering
exterior of life at court. Her cautious uncle had cut short their
sojourn at what he deemed a judicious period, and brought his ward back
to the tranquil old chateau near Nantes, not entirely, it must be
admitted, to her satisfaction. The splendors of the capital had just
begun to fascinate her, and, what was more, she had been loath to think
that that last brief interview with the handsome and eccentric captain,
who had seen so much and told what he had seen so well, might never be
repeated. Not that she cared to hear anything beyond his strange tales
of adventure. Indeed no. He had lightly touched upon one or two other
topics, during that same last interview, and she was sorry she had not
checked him. Yet she _did_ wonder what ever had become of him, and
really would have been glad to know the result of his long journey
through the tropical Indian forests with that beautiful Rajah's daughter
of whom he had begun to tell her.
But these ideas did not occur to Virginie until after she had left
Paris. While there, the constant succession of gayeties left no room for
other than merry thoughts. She was a belle of high distinction,--an
heiress, and a lovely one. For a month she was a leader of fashionable
revels, and a very princess of masquerade. If it were known that at a
particular ball she would appear as a heathen goddess, the _salons_ were
thronged with illustrations of mythology. When she wore the quaint dress
of a Brittany peasant, all classes affected a rural simplicity. She had
only to personate Joan of Arc, and a martial spirit fired the assembly;
and when she crowned her triumphs by enacting a dashing young cavalier
of the period, women as well as men yielded their admiration and
contended for her smiles. After so brilliant a career, what could she
care for the applause which her dexterous disguises excited in the
drowsy masquerades of Nantes. It served only to recall to her the
vanished glories of the capital.
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