The Atlantic Monthly, Volume 20, No. 119, September, 1867: A Magazine of Literature, Science, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 20, No. 119, September, 1867: A Magazine of Literature, Science, Art, and Politics
Various
American periodicals
"In an age of fops and toys,
Wanting wisdom, void of right,
Who shall nerve heroic boys
To hazard all in Freedom's fight,--
Break sharply off their jolly games,
Forsake their comrades gay,
And quit proud homes and youthful dames,
For famine, toil, and fray?
Yet on the nimble air benign
Speed nimbler messages,
That waft the breath of grace divine
To hearts in sloth and ease.
So nigh is grandeur to our dust,
So near is God to man,
When Duty whispers low, _Thou must_,
The youth replies, _I can_.
* * * * *
"Blooms the laurel which belongs
To the valiant chief who fights;
I see the wreath, I hear the songs
Lauding the Eternal Rights,
Victors over daily wrongs:
Awful victors, they misguide
Whom they will destroy,
And their coming triumph hide
In our downfall, or our joy:
They reach no term, they never sleep,
In equal strength through space abide;
Though, feigning dwarfs, they crouch and creep,
The strong they slay, the swift outstride:
Fate's grass grows rank in valley clods,
And rankly on the castled steep,--
Speak it firmly, these are gods,
All are ghosts beside."
It is, of course, a somewhat Emersonian Gypsy that speaks in "The Romany
Girl," but still she speaks with the passionate, sudden energy of a
woman, and flashes upon the mind with intense vividness the conception
of a wild nature's gleeful consciousness of freedom, and exultant scorn
of restraint and convention. All sense of sylvan health and beauty is
uttered when this Gypsy says,--
"The wild air bloweth in our lungs,
The keen stars twinkle in our eyes,
The birds gave us our wily tongues,
The panther in our dances flies."
"Terminus" has a wonderful didactic charm, and must be valued as one of
the noblest introspective poems in the language. The poet touches his
reader by his acceptance of fate and age, and his serene trust of the
future, and yet is not moved by his own pathos.
Public-domain text, read in full here on John Shaqi.
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