The Atlantic Monthly, Volume 20, No. 119, September, 1867: A Magazine of Literature, Science, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 20, No. 119, September, 1867: A Magazine of Literature, Science, Art, and Politics
Various
American periodicals
Behind me an oriole chirrups in triumph amid the birch-trees which wave
around the house of the haunted window; before me a kingfisher pauses
and waits, and a darting blackbird shows the scarlet on his wings. From
the mossy and water-worn stones of the fort the bright-eyed rats peep
out, or, emerging, swim along the beach, with a motion made graceful, as
is all motion, by contact with the water. Sloops and schooners
constantly come and go, careening in the wind, and their white sails
taking, if remote enough, a vague blue mantle from the delicate air.
Sailboats glide in the distance,--each a mere white wing of canvas,--or
coming nearer, and glancing suddenly into the cove, are put as suddenly
on the other tack, and almost in an instant seem far away. There is
to-day such a live sparkle on the water, such a luminous freshness on
the grass, that it seems, as is so often the case in early June, as if
all history were a dream, and the whole earth were but the creation of a
summer's day.
If Petrarch still knows and feels the consummate beauty of these earthly
things, it may seem to him some repayment for the sorrows of a lifetime
that one reader, after all this lapse of years, should choose his
sonnets to match this grass, these blossoms, and the soft lapse of these
blue waves. Yet any longer or more continuous poem would be out of place
to-day. I fancy that this narrow cove prescribes the proper limits of a
sonnet; and when I count the lines of ripple within yonder projecting
wall, there proves to be room for just fourteen. Nature meets our whims
with such little fitnesses. The words which build these delicate
structures are as soft and fine and close-textured as the sands upon
this tiny beach, and their monotone, if such it be, is the monotone of
the neighboring ocean. Is it not possible, by bringing such a book into
the open air, to separate it from the grimness of commentators, and
bring it back to life and light and Italy? The beautiful earth is the
same as when this poetry and passion were new; there is the same
sunlight, the same blue water and green grass; yonder pleasure-boat
might bear, for aught we know, the friends and lovers of five centuries
ago; Petrarch and Laura might be there, with Boccaccio and Fiammetta as
comrades, and with Chaucer as their stranger guest. It bears, at any
rate, if I know its voyagers, eyes as lustrous, voices as sweet. With
the world thus young, beauty eternal, fancy free, why should these
delicious Italian pages exist but to be tortured into grammatical
examples? Is there no reward to be imagined for a delightful book that
can match Browning's fantastic burial of a tedious one? When it has
sufficiently basked in sunshine, and been cooled in pure salt air, when
it has bathed in heaped clover, and been scented, page by page, with
melilot, cannot its beauty once more blossom, and its buried loves
revive?
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