The Atlantic Monthly, Volume 20, No. 120, October, 1867: A Magazine of Literature, Science, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 20, No. 120, October, 1867: A Magazine of Literature, Science, Art, and Politics
Various
American periodicals
At last, from some mysterious inner court of the palace came a burst of
music. From the verandas behind the throne a party of musketeers filed in,
and, taking position between the pillars on each side of the centre aisle,
knelt down, with their double-barrelled pieces between their knees, and
their hands clasped before them in an attitude of prayer.
As the last man entered the golden lattice doors, the doors rolled back
into the wall, and the King was seen, mounting a stair leading from a
chamber behind to the summit of the throne. He ascended slowly, using his
golden-sheathed _dhar_ as a staff to his laboring steps; and no wonder, for
his jewelled robe alone weighed one hundred pounds. Having dusted the
_gudhi_ with his own hand, by means of a small _chowree_, or fly-flapper,
he had brought with him, he took his seat on the left side of the throne,
resting his elbow on the velvet cushion, which had been covered with a
napkin. Then the Queen, who had followed him closely, seated herself by his
side,--on the right, and a little behind him,--where she received from the
hands of female attendants, who showed themselves but for a moment, the
golden spittoon and other ungraceful conveniences, which, on all occasions
and in all places, must be at the elbow of every Burmese dignitary. Next,
she fanned herself for a few moments, and then she fanned the King; and
finally, having been served with a lighted cheroot by the shy fingers of
some mysterious maid of honor, she smoked in silent expectation.
The Lord of White Elephants and Righteousness is a portly man, with refined
features, an agreeable and intelligent expression, and delicate hands. He
wore a sort of long tunic, or surcoat, so thickly set with jewels that the
material, a kind of light-colored silk, was overlaid and almost hidden.
_Tha-ra-poo_, the crown, is a round tiara of similar material, in shape
like an Indian morion, surmounted by a spire-like ornament several inches
high, and expanding in flaps or wings over each ear.
The Queen, who, like all her predecessors, is her husband's half-sister,
wore a perfectly close cap, covering hair and ears, and forming, as it
rose, a conical crest, with the point curved forward in a volute, like the
horn of a rhinoceros, or the large nipper of a crab's claw; close lappets
hung over the cheeks. The rest of her Majesty's dress was oddly
Elizabethan; the sleeves and skirt in "successive overlapping scalloped
lappets"; around the throat a high collar, also scalloped or vandyked, and
continued in front to the waist, where blazed a stomacher, or breast-plate,
of great gems. Both cap and robe were stiff with diamonds. The Queen's name
is Tsoo-phragyi, and she is the eldest daughter of her husband's father,
King Tharawadi.
On a pedestal between their Majesties, in front of the throne, stood a
great golden figure of the _Henza_, or Sacred Goose,--the national emblem.
Public-domain text, read in full here on John Shaqi.
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