The Atlantic Monthly, Volume 20, No. 120, October, 1867: A Magazine of Literature, Science, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 20, No. 120, October, 1867: A Magazine of Literature, Science, Art, and Politics
Various
American periodicals
The period of time embraced in these female biographies extends from the
birth of St. Catherine of Siena, in 1347, to the death of the celebrated
_improvvisatrice_ Corilla, in 1800. With the career of each is identified a
salient phase of Italian history, manners, or character; incident to the
experience of all are special localities, political and social conditions,
relations of art, of faith, of culture, of rule, and of morals, whereby we
obtain the most desirable glimpses of the actual life and latent tendencies
of Italy, considered as the focus of European civilization. We gaze upon a
woman's portrait, but beyond, beside, and around her are the warriors,
statesmen, prelates, poets, and people of her time. Through her triumphs
and trials, her renown or degradation, her love, ambition, sorrows,
virtues, or sins, we feel, as well as see, the vital facts of her age and
country. Nor is this all: each character is not only full of interest in
itself, but is essentially typical and representative. Thus we have the
fair saint of the Middle Ages, the energetic and sagacious ruler, the
gracious reformer, the artist, the near kinswoman of prince or
ecclesiastic, the poetess, the _châtelaine_, the nun, the profligate, the
powerful, the beautiful, and the base,--all the forms and forces of womanly
influence as modified by the life of the time and country. They move before
us a grand procession, now awakening admiration and now pity, here
ravishing in beauty or genius and there forlorn in disaster or disgrace,
yet always bearing with them the strong individuality and attractive
expression which, to the imagination, so easily transforms the heroines of
history into the ideals of the drama, or the characters of romance. And yet
in these delineations the author has indulged in no rhetorical
embellishments: he has arrived simply, and sometimes sternly, at the clear
statement of facts, and left them to convey their legitimate impression to
the reader's mind. The lives of many of these women have been written
before, some of them elaborately; but they are here grouped and contrasted
as illustrative of national life, and hence gain a fresh charm and
suggestiveness, especially as the fruits of research and the method of a
disciplined _raconteur_ are blent with the light and life of personal
observation as to scenes and memorials,--the land where they once dwelt,
its natural aspect and ancient trophies, being fondly familiar to the
biographer. Eloquent memoirs of female sovereigns have become popular
through the genial labors of Agnes Strickland and Mrs. Jameson, while
Shakespeare's women furnish a perpetual challenge to psychological critics;
but the "Decade of Italian Women" has a certain unity of aim and relative
interest which makes it, as a literary record, analogous to a complete,
though limited, gallery of family portraits, inasmuch as, however diverse
the characters, they own a common bond of race and nationality, and are
memorable exemplars thereof.
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