The Atlantic Monthly, Volume 20, No. 120, October, 1867: A Magazine of Literature, Science, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 20, No. 120, October, 1867: A Magazine of Literature, Science, Art, and Politics
Various
American periodicals
What the general knowledge of the French language has done for French
literature, all of that, and more than that, an International Copyright law
would do for the literature of Great Britain and the United States. Here
are four great and growing empires, Great Britain, the United States, the
Dominion of Canada, and the states of Australia, in which the same language
is spoken and similar tastes prevail. In all these nations there is a
spirit abroad which will never rest content until the whole population are
readers, and those readers will be counted by hundreds of millions. Already
they are so numerous, that one first-rate literary success, one book
excellent enough to be of universal interest, would give the author leisure
for life, if his rights were completely protected by international law.
What a field for honorable exertion is this! And how can these empires fail
to grow into unity when the cultivated intelligence of them all shall be
nourished from the same sources, and bow in homage to the same commanding
minds? Wanting this protection, the literature of both countries
languishes. The blight of over-production falls upon immature genius,
masterpieces are followed by labored and spiritless repetitions, and men
that have it in them to inform and move mankind grind out task-work for
daily bread. One man, one masterpiece, that is the general law. Not one
eminent literary artist of either country can be named who has not injured
his powers and jeoparded his fame by over-production. We do not address a
polite note to Elias Howe, and ask him how much he would charge for a
"series" of inventions equal in importance to the sewing-machine. We
merely enable him to demand a dollar every time that _one_ conception is
used. Imagine Job applied to for a "series" of Books of Job. Not less
absurd is it to compel an author to try and write two Sketch-Books, two
David Copperfields, two Uncle Toms, two Jane Eyres, or two books like "The
Newcomes." When once a great writer has given such complete expression of
his experience as was given in each of those works, a long time must elapse
before his mind fills again to a natural overflow. But, alas! only a very
short time elapses before his purse empties.
Public-domain text, read in full here on John Shaqi.
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