The Atlantic Monthly, Volume 20, No. 122, December, 1867: A Magazine of Literature, Science, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 20, No. 122, December, 1867: A Magazine of Literature, Science, Art, and Politics
Various
American periodicals
"'Tis thirty years since he went,--thirty years of Heaven's peace for
him. I did not think to wait so long when he went. The children have
been very good to me, but I've missed their father always. But I shall
go to him soon. Son Ephraim, I am ninety-two to-morrow!"
TOUJOURS AMOUR.
Prithee tell me, Dimple-Chin,
At what age does Love begin?
Your blue eyes have scarcely seen
Summers three, my fairy queen,
But a miracle of sweets,
Soft approaches, sly retreats,
Show the little archer there,
Hidden in your pretty hair:
When didst learn a heart to win?
Prithee tell me, Dimple-Chin!
"Oh!" the rosy lips reply,
"I can't tell you if I try!
'Tis so long I can't remember:
Ask some younger Miss than I!"
Tell, O tell me, Grizzled-Face,
Do your heart and head keep pace?
When does hoary Love expire,
When do frosts put out the fire?
Can its embers burn below
All that chill December snow?
Care you still soft hands to press,
Bonny heads to smooth and bless?
When does Love give up the chase?
Tell, O tell me, Grizzled-Face!
"Ah!" the wise old lips reply,
"Youth may pass and strength may die;
But of Love I can't foretoken:
Ask some older Sage than I!"
AMONG THE WORKERS IN SILVER.
Excursionists to Lake Superior, when they get away up in the northern
part of Lake Huron, where are those "four thousand islands" lying flat
and green in the sun, without a tree or a hut upon them, see at length,
in the distance, a building like a large storehouse, evidently not made
by Indian hands. The thing is neither rich nor rare; the only wonder is,
how it got there. For many hours before coming in sight of this
building, no sign of human life is visible, unless, perchance, the
joyful passengers catch sight of a dug-out canoe, with a blanket for a
sail, in which an Indian fisherman sits solitary and motionless, as
though he too were one of the inanimate features of the scene. On
drawing near this most unexpected structure, the curiosity of the
travellers is changed into wild wonder. It is a storehouse with all the
modern improvements, and over the door is a well-painted sign, bearing
the words,
RASPBERRY JAM.
Public-domain text, read in full here on John Shaqi.
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