The Atlantic Monthly, Volume 20, No. 122, December, 1867: A Magazine of Literature, Science, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 20, No. 122, December, 1867: A Magazine of Literature, Science, Art, and Politics
Various
American periodicals
What particularly surprises the visitor to the Gorham works at
Providence is to see labor-saving machinery--the ponderous steam-hammer,
the stamping and rolling apparatus--employed in silver work, instead of
the baser metals to which they are usually applied. Nothing is done by
hand which can be done by machinery; so that the three hundred men
usually employed in solid ware are in reality doing the work of a
thousand. The first operation is to buy silver coin in Wall Street. In a
bag of dollars there are always some bad pieces; and as the company
embark their reputation in every silver vessel that leaves the factory,
and are always responsible for its purity, each dollar is wrenched
asunder and its goodness positively ascertained before it is thrown into
the crucible. The subsequent operations, by which these spoiled dollars
are converted into objects of brilliant and enduring beauty, can better
be imagined than described.
New forms of beauty are the constant study of the artist in silver. One
large apartment in the Gorham establishment--the artists' room--is a
kind of magazine or storehouse of beautiful forms, which have been
gathered in the course of years by Mr. George Wilkinson, the member of
the company who has charge of the designing, and who is himself a
designer of singular taste, fertility, and judgment. Here are deposited
copies or drawings of all the former products of the establishment. Here
is a large and most costly library of illustrated works in every
department of art and science. Mr. Wilkinson gets ideas from works upon
botany, sculpture, landscape,--from ancient bas-reliefs and modern
porcelain; but, more frequently, from those large volumes which exhibit
the glories of architecture. "The first requisite," he maintains, "of a
good piece of silver-plate is that it be _well built_." The artist in
silver has also to keep constantly in view the practical and commercial
limitations of his art. The forms which he designs must be such as can
be executed with due economy of labor and material, such as can be
easily cleaned, and such as will please the taste of the
silver-purchasing public. It is by his skill in complying with these
inexorable conditions, while producing forms of real excellence, that
Mr. Wilkinson has given such celebrity to the articles made by the
company to which he belongs.
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