The Atlantic Monthly, Volume 20, No. 122, December, 1867: A Magazine of Literature, Science, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 20, No. 122, December, 1867: A Magazine of Literature, Science, Art, and Politics
Various
American periodicals
The village of Valdemosa is a picturesque, rambling place, brown with
age, and buried in the foliage of fig and orange trees. The highest part
of the narrow plateau where it stands is crowned by the church and
monastery of the Trappists (_Cartusa_), now deserted. My coachman drove
under the open roof of a venta, and began to unharness his horses. The
family, who were dining at a table so low that they appeared to be
sitting on the floor, gave me the customary invitation to join them, and
when I asked for a glass of wine brought me one which held nearly a
quart. I could not long turn my back on the bright, wonderful landscape
without; so, taking books and colors, I entered the lonely cloisters of
the monastery. Followed first by one small boy, I had a retinue of at
least fifteen children before I had completed the tour of the church,
court-yard, and the long-drawn, shady corridors of the silent monks; and
when I took my seat on the stones at the foot of the towers, with the
very scene described by George Sand before my eyes, a number of older
persons added themselves to the group. A woman brought me a chair, and
the children then planted themselves in a dense row before me, while I
attempted to sketch under such difficulties as I had never known before.
Precisely because I am no artist, it makes me nervous to be watched
while drawing; and the remarks of the young men on this occasion were
not calculated to give me courage.
When I had roughly mapped out the sky with its few floating clouds, some
one exclaimed, "He has finished the mountains, there they are!" and they
all crowded around me, saying, "Yes, there are the mountains!" While I
was really engaged upon the mountains, there was a violent discussion as
to what they might be; and I don't know how long it would have lasted,
had I not turned to some cypresses nearer the foreground. Then a young
man cried out: "O, that's a cypress! I wonder if he will make them
all,--how many are there? One, two, three, four, five,--yes, he makes
five!" There was an immediate rush, shutting out earth and heaven from
my sight, and they all cried in chorus, "One, two, three, four,
five,--yes, he has made five!" "Cavaliers and ladies," I said, with
solemn politeness, "have the goodness not to stand before me." "To be
sure! Santa Maria! How do you think he can see?" yelled an old woman,
and the children were hustled away. But I thereby won the ill-will of
those garlic-breathing and scratching imps, for very soon a shower of
water-drops fell upon my paper. Next a stick, thrown from an upper
window, dropped on my head, and more than once my elbow was
intentionally jogged from behind. The older people scolded and
threatened, but young Majorca was evidently against me. I therefore made
haste to finish my impotent mimicry of air and light, and get away from
the curious crowd.
Public-domain text, read in full here on John Shaqi.
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