The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at AthensHaigh, A. E. (Arthur Elam)
History
The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at Athens
Haigh, A. E. (Arthur Elam)
Athens (Greece) -- Intellectual life; Greek drama -- History and criticism; Theater -- Greece -- Athens -- History -- To 500
Another remarkable instance of deviation from the ordinary practice is
supplied by the theatre at Megalopolis.[451] In this theatre (Fig. 11)
the place of the stage-buildings was taken by a vast council-chamber,
called the Thersilion, which faced towards the auditorium. Its façade
consisted of a vestibule, 26 feet high, and resting on a flight of five
steps. Originally, when dramas were to be performed, a temporary wooden
stage was erected in front of the Thersilion. The foundation-wall for
a stage of this kind has been discovered, and lies at a distance of 24
feet from the columns of the vestibule. It is obvious therefore that
the vestibule cannot itself have formed the background. A stage 24 feet
across would have been far too deep for a Greek theatre. Temporary
scenic decorations must have been erected some feet in front of the
council-chamber. In later times a stone proscenium of the ordinary type
was erected on the site of the old wooden one. But when this was done,
it is probable that the Thersilion had fallen into ruins. Otherwise the
beauty of its appearance would have been altogether marred by the stone
structure in front of it.
[Illustration: FIG. 11.]
But the most peculiar of the stage-buildings which have hitherto been
discovered is that at Delos. A representation of the ground-plan (Fig.
12) is inserted on the next page.[452] This building consisted of a
single oblong room. In front of it was an ordinary proscenium, about
ten feet deep, and eight or nine feet high, resting on half-columns.
The spaces between the columns were filled, as usual, with painted
boards. The curious feature is that this same proscenium was continued
in a modified form round the rest of the building, so as to serve as a
portico. On the sides and in the rear it rested on rectangular pillars
instead of on columns. The spaces between the pillars were considerably
wider than the spaces between the columns, and were left open, instead
of being filled up with boards. Porticoes of this kind were often
erected close to the stage-buildings, as a shelter from the rain; but
the position of the one at Delos is altogether exceptional. Another
remarkable feature in this building is the fact that the proscenium was
open at each end, and was not even enclosed with a wall. When dramas
were being performed, wooden side-wings must have been put up for the
occasion.[453]
[Illustration: FIG. 12.]
§ 12. _Wieseler’s Theory of the Greek Stage._
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