The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at AthensHaigh, A. E. (Arthur Elam)
History
The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at Athens
Haigh, A. E. (Arthur Elam)
Athens (Greece) -- Intellectual life; Greek drama -- History and criticism; Theater -- Greece -- Athens -- History -- To 500
with the sacred enclosure of the Eumenides in the centre. Finally, the
Electra of Euripides is altogether exceptional in having its scene laid
before a humble country cottage. On the whole, the evidence of the extant
tragedies tends to confirm the statement of Vitruvius, and exemplifies
the conventional character of Greek tragic scenery. In the great majority
of instances the background would be an imposing pile of buildings,
adorned with various architectural embellishments. As to the satyric
drama, the Cyclops of Euripides is the only specimen of this class of
composition which has been preserved. The scene there corresponds exactly
to the descriptions of Vitruvius, and consists of a country region, with
the cave of Polyphemus in the centre. There can be little doubt that in
most satyric dramas the background was of much the same character. As
the chorus always consisted of satyrs, whose dwelling was in the forest,
the scene of the play would naturally be laid in some deserted country
district. The scene in the New Comedy was almost invariably laid in front
of an ordinary private house, as is proved by the adaptations of Plautus
and Terence. As to the Old Comedy, in six out of the eleven comedies of
Aristophanes, the background consists merely of a house, or of houses
standing side by side.[575] In four others the principal part of the
action takes place before a house. In the Thesmophoriazusae the scene
consists of a house and a temple standing side by side. In the Lysistrata
there is a private house, and near it the entrance to the Acropolis. In
the Acharnians the opening scene takes place in the Pnyx; the rest of the
action is carried on before the houses of Dicaeopolis, Euripides, and
Lamachus. The scene in the Knights is laid partly before the house of
Demos, and partly in the Pnyx. The only comedy in which the scenery is of
an altogether exceptional character is the Birds, in which the background
consists of a wild country region, filled with rocks, and trees, and
bushes. It appears, therefore, that even in the Old Comedy there was not
much variety in the scenery.
Public-domain text, read in full here on John Shaqi.
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