The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at AthensHaigh, A. E. (Arthur Elam)
History
The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at Athens
Haigh, A. E. (Arthur Elam)
Athens (Greece) -- Intellectual life; Greek drama -- History and criticism; Theater -- Greece -- Athens -- History -- To 500
As far as tragedy is concerned, the art of acting may be said to have
commenced in the time of Thespis. But actors did not come into existence
as a separate class until many years afterwards. Before the period of
Aeschylus, when only a single actor was required, his part was taken
by the poet. It is expressly said that Thespis was ‘himself acting,
according to ancient custom’, at that performance which excited the
disapproval of Solon.[682] But when a second actor was introduced by
Aeschylus, then the actor’s profession became of necessity distinct
from that of the poet. For some time afterwards the poets continued
to act occasionally in their own tragedies, side by side with the
professional actors. But the practice went gradually out of fashion in
the course of the earlier part of the fifth century. Aeschylus appears,
from the statement in his Life, to have abandoned the stage even before
the introduction of a second actor.[683] Sophocles was prevented from
appearing as an actor by the weakness of his voice. It is true that he
sometimes performed in public. In the Thamyris he played the harp, and
in the Nausicaa he delighted the spectators by his skill with the ball.
But it is not likely that on either of these occasions he took a regular
actor’s part. He probably appeared upon the scene merely as a mute
character, in order to show his skill with the harp and the ball.[684]
After the time of Sophocles there are no further instances of tragic
poets performing in their own plays.[685] As to the early history of
comic acting very little is known. Cratinus is mentioned as one of the
old poets who were called ‘dancers’, and it is therefore probable that
he acted in his own comedies. Crates is said to have begun his career
as an actor of Cratinus.[686] But after his time there is no certain
instance of a comic poet appearing upon the stage. The professional actor
was universally employed. The statement that Aristophanes acted the part
of Cleon in the Knights is due to a misconception on the part of the
scholiast.[687]
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