The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at AthensHaigh, A. E. (Arthur Elam)
History
The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at Athens
Haigh, A. E. (Arthur Elam)
Athens (Greece) -- Intellectual life; Greek drama -- History and criticism; Theater -- Greece -- Athens -- History -- To 500
[68] See The Tragic Drama of the Greeks, p. 444 ff.: and (for the City
Dionysia in the second century A.D.) cp. C. I. A. iii. 78; Philostr. Vit.
Soph. p. 549; Paus. i. 29, ii. 38, 8.
[69] Aristot. Poet. ch. v. καὶ γὰρ χορὸν κωμῳδῶν ὀψέ ποτε ὁ ἄρχων ἔδωκεν,
ἀλλ’ ἐθελονταὶ ἦσαν.
[70] C. I. A. ii. 971 a (quoted, Appendix B) [B.C. 463 is the latest
possible date of the events referred to in this part of this inscription.
Capps (Introduction of Comedy into City Dionysia) with great probability
dates them 473-472; he fixes the date of the granting of a comic chorus
(whether at the Lenaea or City Dionysia is uncertain) by the archon
at 487, when, according to Suidas s.v. Χιωνίδης, Chionides began to
exhibit; and the date of the first choregia in tragedy at about 502.
This would justify sufficiently Aristotle’s ὀψέ ποτε. Suidas’ date for
Chionides’ first exhibition is not really inconsistent with the Dorian
tradition recorded by Aristotle that Epicharmus was πολλῷ πρότερος
Χιωνίδου καὶ Μάγνητος, since the generally recorded date of the former,
B.C. 488 onwards, is most probably a ‘floruit’ date, based on the time
of his first performances at Syracuse, not the date of the beginning of
his career at Megara Hyblaea, which may have been a good deal earlier.
Capps shows ground for believing that Aristotle and Suidas—the former
directly, the latter perhaps indirectly—obtained their knowledge from the
official records, and are therefore quite reliable. At the head of the
inscription, C. I. A. ii. 971 a, are the words πρῶ]τον κῶμοι ἦσαν τ[ῶν
..., which must originally have formed part of the general heading of
the whole inscription, whose earlier columns are lost. Capps conjectures
(with some reason) that it originally ran ἀπὸ (name of archon) ἐφ’ οὗ
πρῶτον κῶμοι ἦσαν τῶν ἐν ἄστει Διονυσίων οἵδε ἐνίκων. But κῶμοι cannot
mean ‘comedies’, as Köhler and Wilamowitz assumed when they dated the
beginning of choregia in comedy by this inscription. Cf. Wilhelm,
Urkunden dramatischer Aufführungen in Athen, pp. 11 ff, 241 ff.]
[71] Args. Aristoph. Nubes, Pax, Aves.
[72] Arg. Aristoph. Plutus (festival uncertain); Ath. Pol. c. 56 (City
Dionysia); C. I. A. ii. 972 (Lenaea), 975 (City Dionysia). [If C. I. G.
xiv. 1097 is rightly restored and interpreted by Wilhelm, l.c., p. 195
ff., it would seem as if there were five competitors as early as B.C. 434
at the Dionysia; this is very difficult to reconcile with the consistent
mention by the Arguments of three only.]
Public-domain text, read in full here on John Shaqi.
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