The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at AthensHaigh, A. E. (Arthur Elam)
History
The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at Athens
Haigh, A. E. (Arthur Elam)
Athens (Greece) -- Intellectual life; Greek drama -- History and criticism; Theater -- Greece -- Athens -- History -- To 500
[112] [Nilsson (Studia de Dionysiis Atticis, p. 108) shows that the
festival was probably not celebrated in all the demes at precisely the
same time, though it always took place after the autumn sowing, being
in fact in origin a ceremony designed to secure the fertility of the
new-sown seed. Cf. Plat. Rep. v. p. 475 D ὥσπερ δὲ ἀπομεμισθωκότες τὰ ὦτα
ἐπακοῦσαι πάντων χορῶν περιθέουσι τοῖς Διονυσίοις οὔτε τῶν κατὰ πόλεις
οὔτε τῶν κατὰ κώμας ἀπολειπόμενοι. There must also have been time for the
troupes of actors to move from one place to another.]
[113] See Aristoph. Ach. 69, 241 ff. Also Plut. de Cup. div. p. 527 D;
id. Non suav. viv. sec. Epic. p. 1098 B; Heraclitus fr. 127 Byw.
[114] Dem. Meid. § 10; C. I. A. ii. 164, 467, 468, 589, 741; iv. 2, 834
b; Aelian Var. Hist. ii. 13.
[115] Dem. de Cor. § 180; Aeschin. Timarch. § 157.
[116] C. I. A. iv. 574 b, c, g.
[117] Ibid. ii. 469, 470, 594.
[118] C. I. A. iv. 1282 b, 1285 b.
[119] Ibid. ii. 585.
[120] Isaeus viii. § 15. We also hear of such celebrations at Brauron
(Ar. Pax 874, with Schol.; Schol. in Dem. Conon. § 35; Suidas s.v.
Βραύρων); and at Myrrhinus (C. I. A. ii. 575, 578).
[121] Dörpfeld u. Reisch, Griech. Theat. p. 109 ff.
[122] In addition to the instance at the Peiraeeus recorded above, the
only known example is at Salamis, C. I. A. ii. 470 Διονυσίων τῶν ἐν
Σαλαμῖνι τραγῳδῶν τ[ῷ καινῷ ἀγ]ῶνι, if the restoration be correct.
[123] Dem. de Cor. § 262.
[124] [It must be admitted that it is not easy to reconcile this with
Aristot. Poet. ix, where it is said that even the well-known plays or
legends are well known only to few, ἐπεὶ καὶ τὰ γνώριμα ὀλίγοις γνώριμά
ἐστιν, ἀλλ’ ὅμως εὐφραίνει πάντας. Aristotle may be speaking particularly
of his own day, when probably few poets or plays had the celebrity
enjoyed by the plays of the three great tragedians of the previous
century.]
[125] [Vid. J. E. Harrison, Proleg. to the Study of Greek Religion, c. i.]
[126] This seems to be the meaning of Plut. x orat. 841 F εἰσήνεγκε
δὲ καὶ νόμους (sc. Lycurgus), τὸν περὶ τῶν κωμῳδῶν ἀγῶνα τοῖς
Χύτροις ἐπιτελεῖν ἐφάμιλλον ἐν τῷ θεάτρῳ, καὶ τὸν νικήσαντα εἰς ἄστυ
καταλέγεσθαι, πρότερον οὐκ ἐξόν, ἀναλαμβάνων τὸν ἀγῶνα ἐκλελοιπότα. The
contest must be the same as the ἀγῶνες Χύτρινοι quoted from Philochorus
by Schol. ad Aristoph. Ran. 220. [See Nilsson, Studia de Dionysiis
Atticis, p. 57.]
[127] Philostrat. Vit Apoll. p. 158.
[128] Schol. Aristoph. Aves, 445; Suidas s.v. ἐν πέντε κριτῶν γόνασι.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account