The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at AthensHaigh, A. E. (Arthur Elam)
History
The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at Athens
Haigh, A. E. (Arthur Elam)
Athens (Greece) -- Intellectual life; Greek drama -- History and criticism; Theater -- Greece -- Athens -- History -- To 500
There is, indeed, no definite information as to the manner in which the
assignment was carried out in the case of tragic and comic choruses.
But in the case of the dithyrambic choruses there are full accounts of
the manner in which similar arrangements were made; and it will not be
difficult, from the analogy of these proceedings, to form a fairly clear
conception of the proceedings in regard to tragedy and comedy. Some
time before the festival a meeting of the ecclesia was held, at which
the distribution took place under the superintendence of the archon.
The proceedings were quite public, and any Athenian citizen who wished
could be present. The choregi first drew lots for order of choice, and
then each chose his own flute-player. The choregus who had obtained the
privilege of choosing first selected the flute-player whom he considered
to be the best of the ten. So they went on till all the flute-players
were chosen. The scene was a lively one. The success of the choregus,
and in consequence the success of his tribe, depended to a certain
extent upon his luck in getting a good or bad flute-player. Hence the
whole process was followed with the greatest interest by the crowds
of spectators present. As each lot was drawn, the result was greeted
with expressions of triumph or disappointment by the partisans of the
different choregi.[222] The above information is derived from the account
given by Demosthenes, in the speech against Meidias, of the preliminary
arrangements for the dithyrambic contests. Nothing is there said about
the choice or assignation of the poets. Probably in this contest only
old dithyrambs were reproduced, and there were no poets to be assigned.
That such was often the case is proved by inscriptions.[223] But when
the contest was with original dithyrambs, and poets were required, they
seem to have been allotted to the choregi in much the same manner as the
flute-players. The defendant in one of the speeches of Antiphon says
that, when he was choregus to a chorus of boys at the Thargelia, the poet
Pantacles was assigned to him by lot[224].
§ 3. _Selection of the Actors._
Public-domain text, read in full here on John Shaqi.
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