"He is that very little thing. He told me I could sing until my back
ached and never get anywhere because I lacked brains. Then he offered
to make me a star if I'd allow him to hitch his chariot to me--on a
share of the gross. There was one trifling sacrifice I had to make in
the nature of my personal reputation--so he told me. He said I'd have
to be the best or else the worst actress in the world in order to land
big and support him in the luxury he craved. I couldn't hope to be the
best, so he made me the worst. He began by tying a can to the 'Agnes
Smith,' and handed me 'Adoree Demorest' instead; then he went to work.
He really did work, too, although it nearly killed him, and he's never
done anything since. I forgot to mention that I signed a contract with
him which lawyers tell me is the finest example of air-tight, time,
weather, and water proof construction that has been seen since the
Declaration of Independence. It fits closer than a rubber shirt, always
retains its shape, lasts longer than old age, and--no metal can touch
you. The King fable is a joke on the other side, but New York swallowed
it clear up to the sinker, and Aubrey gaffed the Palace Garden
management for a three years' contract. Of course, my advertised salary
is phony, just like the rubies and the wrecked throne and that gilded
bandwagon with the poodles and the stuffed supers on the box. Aubrey
owns them all except the rubies, which he rents. I'm billed as the most
notorious woman in America, and the shred of reputation I have left
wouldn't make a neck-tie for a gnat, whereas in reality I love
marshmallows and tea much more than men. But I'm a star, at the head of
my own company, and playing to sidewalk prices. Do you think it was a
good bargain?"
Lorelei had listened with breathless interest. Now she burst out
impulsively:
"You poor dear."
Miss Smith smiled, but her eyes were tragic.
"Sometimes I cry when I think about it. I--cry a good deal," said she.
"I didn't realize until too late what it meant, but, you see, I was
tired of working, tired of ambition, and I wanted to come home. Thank
God I have no people! I save all the money I can, and when I get enough
I'm going to take Agnes Smith out of the moth-balls, dust her off
tenderly, and go to raising ducks."
"Ducks? What do you mean?"
"What I say. That has always been my ambition."
"Why not quit now?"
"What's the use? I'm half-way through the swamp; the mud is as deep
behind as it is in front. But I'm deathly afraid all the time that I'll
be found out--I'd--rather be notorious than ridiculous. Of course,
Aubrey sees to that."
"Are you fond of him?"
Adoree turned up her nose. "He's a little pink rabbit. I don't like any
man, and I never have. There's only one I'd really care to meet; his
name is Campbell Pope."
"The critic. He IS nice."
Public-domain text, read in full here on John Shaqi.
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