"There's my contract: he can discharge me, you know, but I can't
quit--that's one of the peculiarities of a theatrical contract.
Well--he insisted on taking me to supper."
"A brother is a handy thing, once in a while, but for every-day use,
you need a 'steady' with a kick in each mit."
"I wish YOU would punch him."
"Who? Me? And go joy-riding with a square-toe? Nix. I'm too refined.
Did you see to-night's papers?"
"There wasn't much in them."
Jim smiled wisely. "There would have been if things hadn't gone right.
I'm glad for your sake."
"Oh, the harm's done, I suppose. But there's one good thing about
it--Bob Wharton hasn't bothered me this evening."
Jim, with an expressionless face, turned to speak to Lilas Lynn, who
had just come in. When his sister came down after the last act, he was
waiting at the door and helped her into a cab, despite her
protestations that she would much prefer to walk.
"What are you going to do with all the coin you save? Slip it to the
shoemakers?" he laughed. "I don't go out often; you'd better spring me
good."
As they seated themselves in the main room at Proctor's he appraised
her with admiring eyes. "You're the candy, Sis. There's class to that
lay-out."
"It's part of the game to look well in public, but I'd have enjoyed
myself more if we had gone to Billy the Oysterman's and dressed the
part." She surveyed the gaudy dining-room with its towering marble
columns, its tremendous crystal festoons showering a brilliant but
becoming light upon the throngs below, then nodded here and there to
casual greetings.
Public-domain text, read in full here on John Shaqi.
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