At the first place they visited they had difficulty in gaining
entrance, for a crowd was held in check by the heavy plush cord
stretched across the door to the restaurant proper; but here again
Wharton's name proved potent. The barrier was lowered, and the party
managed to squeeze their way into a badly ventilated Turkish room,
where a demented darky orchestra was drumming upon various instruments
ranging in resonance from a piano to a collection of kitchen utensils.
Tables had been crowded around the walls and into the balcony so
closely that the occupants rubbed shoulders, but the center of the
lower floor was occupied by a roped corral in which a mass of dancers
were revolving like a herd of milling cattle. Dusty, tobacco-smoked
oriental rugs, banners and lanterns, suspended from walls and balcony
railings, lent a semblance of "color" to the place; little Moorish
alcoves were set into the walls, in and out of which undersized waiters
dodged like rabbits in a warren. The attendants were irritable; they
perspired freely, they bumped into people, squeezed past, or, failing
in that, crawled over the seated guests.
After a breathless half-hour of this the three sought a resort farther
up-town, where they found the entire upper floors of a restaurant
building given over to "trotting." During the previous winter the craze
for dancing had swept New York like a plague, and the various Barbary
Coast figures had reached their highest popularity. Here, too, the
rooms were thronged and the tables taken, despite the lateness of the
season, but for a second time Wharton demonstrated that to a man about
town of his accomplishments no place is really closed.
However loud the protest against this latest fad, it is doubtful if its
effect is wholly harmful, for it at least introduced vigorous exercise
and rhythmic movement into the midnight life of the city. Women went
home in the gray dawn with faces flushed from natural causes; exquisite
youths of nocturnal habits learned to perspire and to know the feeling
of a wilted collar.
Public-domain text, read in full here on John Shaqi.
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