The meal was interrupted regularly each time the music played, for
dancing was more than a fad in this set--it was a serious business with
which nothing was allowed to interfere. The bulky widow was invariably
the first upon her feet, and Miss Wyeth followed closely, yielding
herself limply to the arms of first one, then another of the youthful
coterie. She held her slashed gown high, and in the more fanciful
extravagances of the dance she displayed a slender limb to the knee.
She was imperturbable, unenthusiastic, utterly untiring. The hostess,
because of her brawn, made harder work of the exercise; but years of
strenuous reducing had hardened her muscles, and she possessed the
endurance of a bear. Once the meal had dragged itself to a conclusion,
there began the customary round of the dancing-places--this being the
popular conception of a lark--and Lorelei allowed herself to be bundled
in and out of the Thompson-Bellaire theater-car. There was considerable
drinking, Bergman, who devoted himself assiduously to his employee,
showing more effect from it than the others. He utterly refused to take
her home. As the night wore on he became more and more offensive; he
grew coarse in a sly, tentative manner, as if feeling his ground. He
changed the manner of his dancing, also, until Lorelei could no longer
tolerate him.
"Getting tired, my dear?" he queried, when she declined to join the
whirling throng.
"Yes. I want to go."
"All right." He leered at her and nodded. "Still living on Amsterdam
Avenue?"
"No. I've moved to the Elegancia."
"So? How does mother like it?"
"She's--I'm living alone."
Bergman started, his eyes brightened. "Ah! Then you've come to your
senses finally. I thought you would. Let's finish this dance, anyhow."
"I don't want to be seen dancing too much with you."
"Why?"
"You understand why, Mr. Bergman." She eyed him coolly.
The lines of his sinister face, loosened and sagging slightly from
drink, deepened for an instant. "Let them talk. I can do more for you
than Merkle can."
"Merkle?" Her expression did not change.
"Now don't let's deceive each other." He had never found it necessary
to cultivate patience in his dealings with women, and when she
pretended ignorance of his meaning he flared out, half in weariness,
half in anger:
"Oh, play your game with strangers, but don't put me off. Weren't you
caught with him at the Chateau? Hasn't he fixed you up at the
Elegancia? Well, then--"
"You needn't finish. I'm going home now."
Public-domain text, read in full here on John Shaqi.
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