The Autobiography of a Journalist, Volume IStillman, William James
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The Autobiography of a Journalist, Volume I
Stillman, William James
Journalists -- Biography; Stillman, William James, 1828-1901
it was only their serenity and almost impersonality that made them
seem frigid to those whose temperament was widely different. Wrong,
injustice to man or beast, roused his warmth in indignation,--he could
be hot enough on occasion; though the quiet warmth of his affection
for his friends was like the sun of May. But undoubtedly his greater
passion was for the truth in whatever form he could find it.
Of all the mental experiences of my past life nothing else survives
with the vividness of my summers in the Adirondacks with Emerson. The
last sight I had of him was when, on his voyage to Egypt, he came to
see me at my home in London, aged and showing the decay of age, but
as alert and interrogative as ever with his insatiate intellectual
activity. And as I look back from the distance of years to the days
when we questioned together, he rises above all his contemporaries as
Mont Blanc does above the intervening peaks when seen from afar, not
the largest in mass, but loftiest in climb, soaring higher if not
occupying the space of some of his companions, even in our little
assemblies. Emerson was the best listener I ever knew, and at the
other meeting-place where I saw him occasionally, the Saturday Club,
his attention to what others were saying was far more notable than his
disposition to enter into the discussions. Now and then he flashed out
with a comment which lit up the subject as an electric spark might,
but in general he shone unconsciously. I remember that one day when,
at the club, we were discussing the nature of genius, some one turned
to Emerson and asked him for a definition of the thing, and he
instantly replied, "The faculty of generalizing from a single
example;" and nobody at the table could give so good and concise a
definition. There is a portrait of him by Rowse, who knew and loved
him well, which renders this side of Emerson in a way that makes
it the most remarkable piece of portraiture I know, the listening
Emerson.
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