Released from all obligations to remain at the consulate, I spent the most of my time in sketching on the Campagna. Of all the landscape I have ever seen, in the Alps, Sicily, Greece, the American forests and lakes, or semi-tropical Florida, nothing has impressed me as did the Roman Campagna in its then condition of decay and neglect. The beauty of line of its mountain framework is still there, and passages here and there are untouched, but the improvements of progress have intruded in so many points that, as a whole, the solemn and poetic aspect of those days is irretrievably lost. I used to sit out in the most lonely passages painting into the twilight until I could no longer distinguish my colors, and then tramp back to Rome at my fastest, to get in before the gates closed for the night. If it was not the rapture of art, it was the passion of poetic nature. As fortune would have it, there was in Rome that winter Mr. George G. Fogg, the minister of the United States of America at Berne, a personal friend of Lincoln, and chairman of the Young Men's National Committee, which arranged the convention that nominated him. On Lincoln's election Fogg was offered his choice of the diplomatic appointments, and selected Berne, the most modest position he could take. He came to pass the Christmas holidays at Rome, and of course I laid my case before him. He in turn put it before his late colleagues in the House, and the committee on foreign affairs made a strong representation at the Department of State; and, when Seward refused to recall King, or take any measures to correct the injustice done me, they struck out from the consular and diplomatic appropriation bill the appropriation for the legation at Rome, which meant the abolition of the legation, and I was a little later transferred to Crete, a salaried post, where there was supposed to be nothing to do but make my quarterly report.