The Autobiography of a Super-TrampDavies, W. H. (William Henry)
General
The Autobiography of a Super-Tramp
Davies, W. H. (William Henry)
Davies, W. H. (William Henry), 1871-1940; Poets, English -- 20th century -- Biography; Tramps -- Biography
Being penniless I was nothing loth to take possession
of this coin, and had scarcely done so, when a front door opened on
the other side of the street, and a fat florid old gentleman appeared
and beckoned me across to him. Going immediately to this gentleman, I
received twopence and, after thanking him, joined my companion in the
road. Now, as I belong to a race of people that are ever prone to
song, whether it be in a public house or a prayer meeting, it will not
surprise many to know that ere long I was making strong attempts to
sing bass to this man's miserable treble, and only ceased to do so
when it became necessary to stoop and pick up the coppers, which
continued to come in at the rate of two to the minute. The effect of
my voice on my companion was immediately apparent. His limbs shook,
his knees bent and knocked together, and his voice quivered and
quavered with a strong emotion. He was now singing another well-known
hymn, better known perhaps than the last; and what with his tall form
bent double to half its height, and the wringing of his hands in
despair--a poor wretch who was apparently broken both in body and
spirit--he was, at this particular stage, the most miserable looking
mortal I have ever beheld. He was in this old man's broken attitude
when, to my surprise, he suddenly straightened his great body, and
gazed about one second down the street. After which he quickly turned
on his heels, saying, in short peremptory tones--"Quick march," at the
same time suiting the action to the words, in sharp military steps.
What the people, in their different windows, and on their doors,
thought of this change, I cannot say. I looked down the street, and
then saw that a police officer had just turned its far corner, and was
coming slowly in our direction. My companion waited for me at our end
of the street, where I joined him as soon as possible. "It is getting
harder every day for a poor man to get a living," he said, when I
stood beside him. "Suppose you count the earnings," he said. "We work
together well." On doing this, I found twenty pennies to be in my
possession, and, at his suggestion, we there and then shared them
alike. "Friend," he began, "before we commence again, let me give you
a word or two of advice. First of all, you sing in too lusty a voice,
as though you were well fed, and in good health. Secondly, you are in
too much of a hurry to move on, and would get out of people's hearing
before they have time to be affected. Try to sing in a weaker voice:
draw out the easy low notes to a greater length, and cut the difficult
high notes short, as though you had spasms in the side. Your object
is to save your voice as much as possible, indifferent to the demands
of music, or the spirit of the song. When we start in another street,"
he continued,--but at this admonitory point I cut him short, telling
him that I had had enough of--eh--gridling. "What, enough of
chanting?" he cried in amaze. "Why, my dear fellow, it is the best
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account