The Autobiography of an Ex-Colored ManJohnson, James Weldon
General
The Autobiography of an Ex-Colored Man
Johnson, James Weldon
African American men -- Fiction; Racially mixed people -- Fiction
Up to this time I had assumed and played my role as a white man with a
certain degree of nonchalance, a carelessness as to the outcome, which
made the whole thing more amusing to me than serious; but now I ceased
to regard "being a white man" as a sort of practical joke. My acting
had called for mere external effects. Now I began to doubt my ability
to play the part. I watched her to see if she was scrutinizing me, to
see if she was looking for anything in me which made me differ
from the other men she knew. In place of an old inward feeling of
superiority over many of my friends I began to doubt myself. I began
even to wonder if I really was like the men I associated with; if
there was not, after all, an indefinable something which marked a
difference.
But, in spite of my doubts and timidity, my affair progressed, and I
finally felt sufficiently encouraged to decide to ask her to marry
me. Then began the hardest struggle of my life, whether to ask her to
marry me under false colors or to tell her the whole truth. My sense
of what was exigent made me feel there was no necessity of saying
anything; but my inborn sense of honor rebelled at even indirect
deception in this case. But however much I moralized on the question,
I found it more and more difficult to reach the point of confession.
The dread that I might lose her took possession of me each time I
sought to speak, and rendered it impossible for me to do so. That
moral courage requires more than physical courage is no mere poetic
fancy. I am sure I should have found it easier to take the place of a
gladiator, no matter how fierce the Numidian lion, than to tell that
slender girl that I had Negro blood in my veins. The fact which I had
at times wished to cry out, I now wished to hide forever.
During this time we were drawn together a great deal by the mutual
bond of music. She loved to hear me play Chopin and was herself far
from being a poor performer of his compositions. I think I carried
her every new song that was published which I thought suitable to her
voice, and played the accompaniment for her. Over these songs we were
like two innocent children with new toys. She had never been anything
but innocent; but my innocence was a transformation wrought by my love
for her, love which melted away my cynicism and whitened my sullied
soul and gave me back the wholesome dreams of my boyhood.
Public-domain text, read in full here on John Shaqi.
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