‘BRISTOL.’
This year Arthur Young, an American prisoner, wrote to me asking
charity; it deserves to be mentioned that in a book called ‘England’s
Black Tribunal’[86] there is a list of emigrants to America in the
seventeenth century, at the head of whom stands the name of Arthur
Young. The following letters are from James Barry,[87] the celebrated
painter. This was a very singular character. I sat to him for the
portrait which he inserted in his famous painting for the decoration of
the Society’s room.[88] I met him often at Dr. Burney’s, and always
found him to abound with original observations, which marked a character
peculiarly his own. He always seemed to me to be proud of his poverty.
‘Adelphi: April 1783.
‘Dear Sir,—I am very much obliged to you for your kind letter, and
hope your goodness will make every allowance for my not having
answered it sooner, but of all things I hate writing at any time, more
particularly at present, when I had resolved to allow myself some
days’ Sabbath, to the utter exclusion of all manner of labour, even of
that which was most agreeable to me. I shall be sincerely obliged to
you for your corrected copy of my account of the pictures,[89] and the
freer and the more extensive your strictures are the more thankful I
shall be; whatever is for use shall be adopted, and I will further
promise you that whatever may not be to the purpose shall be thrown
aside with as little reluctance as if I had written it myself. I
expect to find you on a wrong scent in what you call _my violence_,
which you may think _has been carried too far_, and I shall have a
pleasure in setting you right as to that matter the first time we
meet. You will find nothing has arisen from resentment, nothing from a
desire of retaliating, nothing from paltry, interested views; such
motives, though I might be inclined to make allowance for them in
others, I should reprobate in myself. It appeared to me a bounden duty
to point out for the common good whatever I could discover of those
quicksands, shoals, and rocks that obstruct and endanger our
_viaggiatori_ in the _belle arti_, and I am confident that the arts
and the reputation of the country will receive essential service,
whenever this chart (of which I have made but a rude sketch) shall be
perfected by some man of more information and better abilities (though
perhaps not of more love for truth, for the public and for science)
and of penetration, energy, vivacity and perspicuity, to treat this
matter as it deserves.
Public-domain text, read in full here on John Shaqi.
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