I was greatly troubled, however, by one particular annoyance: my nails
had grown so long that I could not touch my body without wounding it; I
could not dress myself but what they turned inside or out, to my great
torment. Moreover, my teeth began to perish in my mouth. I became aware
of this because the dead teeth being pushed out by the living ones, my
gums were gradually perforated, and the points of the roots pierced
through the tops of their cases. When I was aware of this, I used to
pull one out, as though it were a weapon from a scabbard, without any
pain or loss of blood. Very many of them did I lose in this way.
Nevertheless, I accommodated myself to these new troubles also; at times
I sang, at times I prayed, and at times I wrote by means of the paste of
brick-dust I have described above. At this time I began composing a
Capitolo in praise of my prison, relating in it all the accidents which
had befallen me. [1] This poem I mean to insert in its proper place.
Note 1. Capitolo is the technical name for a copy of verses in 'terza
rima' on a chosen theme. Poems of this kind, mostly burlesque or
satirical, were very popular in Cellini’s age. They used to be written
on trifling or obscene subjects in a mock-heroic style. Berni stamped
the character of high art upon the species, which had long been in use
among the unlettered vulgar. See for further particulars Symonds’
'Renaissance in Italy,' vol. v. chap. xiv.
CXX
THE GOOD castellan used frequently to send messengers to find out
secretly what I was doing. So it happened on the last day of July that I
was rejoicing greatly by myself alone while I bethought me of the
festival they keep in Rome upon the 1st of August; and I was saying to
myself: “In former years I kept the feast among the pleasures and the
frailties of the world; this year I shall keep it in communion with God.
Oh, how far more happy am I thus than I was then!” The persons who heard
me speak these words reported them to the castellan. He was greatly
annoyed, and exclaimed: “Ah, God! that fellow lives and triumphs in his
infinite distress, while I lack all things in the midst of comfort, and
am dying only on account of him! Go quickly, and fling him into that
deepest of the subterranean dungeons where the preacher Foiano was
starved to death. [1] Perhaps when he finds himself in such ill plight
he will begin to droop his crest.”
Public-domain text, read in full here on John Shaqi.
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