We found the Court of the King at Fontana Beliò; [2] there we presented ourselves to the Cardinal, who provided us at once with lodgings, and that evening we were comfortable. On the following day the cart turned up; so we unpacked our things, and when the Cardinal heard this he told the King, who expressed a wish to see me at once. I went to his Majesty with the cup and basin; then, upon entering his presence, I kissed his knee, and he received me very graciously. I thanked his Majesty for freeing me from prison, saying that all princes unique for generosity upon this earth, as was his Majesty, lay under special obligations to set free men of talent, and particularly those that were innocent, as I was; such benefits, I added, were inscribed upon the book of God before any other good actions. The King, while I was delivering this speech, continued listening till the end with the utmost courtesy, dropping a few words such as only he could utter. Then he took the vase and basin, and exclaimed: “Of a truth I hardly think the ancients can have seen a piece so beautiful as this. I well remember to have inspected all the best works, and by the greatest masters of all Italy, but I never set my eyes on anything which stirred me to such admiration.” These words the King addressed in French to the Cardinal of Ferrara, with many others of even warmer praise. Then he turned to me and said in Italian: “Benvenuto, amuse yourself for a few days, make good cheer, and spend your time in pleasure; in the meanwhile we will think of giving you the wherewithal to execute some fine works of art for us.” Note 1. The 'Monsanese' is the 'Mont Cenis.' Cellini forgets that he has not mentioned this apprehension which made him turn aside from Milan. It may have been the fear of plague, or perhaps of some enemy. Note 2. It is thus that Cellini always writes Fontainebleau. X