While I was at work upon the Jupiter, I noticed that I had plenty of
silver to spare. So I took in hand, without consulting the King, to make
a great two-handled vase, about one cubit and a half in height. I also
conceived the notion of casting the large model of my Jupiter in bronze.
Having up to this date done nothing of the sort, I conferred with
certain old men experienced in that art at Paris, and described to them
the methods in use with us in Italy. They told me they had never gone
that way about the business; but that if I gave them leave to act upon
their own principles, they would bring the bronze out as clean and
perfect as the clay. I chose to strike an agreement, throwing on them
the responsibility, and promising several crowns above the price they
bargained for. Thereupon they put the work in progress; but I soon saw
that they were going the wrong way about it, and began on my own account
a head of Julius Cæsar, bust and armour, much larger than the life,
which I modelled from a reduced copy of a splendid antique portrait I
had brought with me from Rome. I also undertook another head of the same
size, studied from a very handsome girl, whom I kept for my own
pleasures. I called this Fontainebleau, after the place selected by the
King for his particular delight.
We constructed an admirable little furnace for the casting of the
bronze, got all things ready, and baked our moulds; those French masters
undertaking the Jupiter, while I looked after my two heads. Then I said:
“I do not think you will succeed with your Jupiter, because you have not
provided sufficient vents beneath for the air to circulate; therefore
you are but losing your time and trouble.” They replied that, if their
work proved a failure, they would pay back the money I had given on
account, and recoup me for current expenses; but they bade me give good
heed to my own proceedings, [1] for the fine heads I meant to cast in my
Italian fashion would never succeed.
At this dispute between us there were present the treasurers and other
gentlefolk commissioned by the King to superintend my proceedings.
Everything which passed by word or act was duly reported to his Majesty.
The two old men who had undertaken to cast my Jupiter postponed the
experiment, saying they would like to arrange the moulds of my two
heads. They argued that, according to my method, no success could be
expected, and it was a pity to waste such fine models. When the King was
informed of this, he sent word that they should give their minds to
learning, and not try to teach their master.
Public-domain text, read in full here on John Shaqi.
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