Just then I met with Federigo Ginori, a young man of a very lofty spirit. He had lived some years in Naples, and being endowed with great charms of person and presence, had been the lover of a Neapolitan princess. He wanted to have a medal made, with Atlas bearing the world upon his shoulders, and applied to Michel Agnolo for a design. Michel Agnolo made this answer: “Go and find out a young goldsmith named Benvenuto; he will serve you admirably, and certainly he does not stand in need of sketches by me. However, to prevent your thinking that I want to save myself the trouble of so slight a matter, I will gladly sketch you something; but meanwhile speak to Benvenuto, and let him also make a model; he can then execute the better of the two designs.” Federigo Ginori came to me, and told me what he wanted, adding thereto how Michel Agnolo had praised me, and how he had suggested I should make a waxen model while he undertook to supply a sketch. The words of that great man so heartened me, that I set myself to work at once with eagerness upon the model; and when I had finished it, a painter who was intimate with Michel Agnolo, called Giuliano Bugiardini, brought me the drawing of Atlas. [2] On the same occasion I showed Giuliano my little model in wax, which was very different from Michel Agnolo’s drawing; and Federigo, in concert with Bugiardini, agreed that I should work upon my model. So I took it in hand, and when Michel Agnolo saw it, he praised me to the skies. This was a figure, as I have said, chiselled on a plate of gold; Atlas had the heaven upon his back, made out of a crystal ball, engraved with the zodiac upon a field of lapis-lazuli. The whole composition produced an indescribably fine effect; and under it ran the legend 'Summa tulisse juvat!' [3] Federigo was so thoroughly well pleased that he paid me very liberally. Aluigi Alamanni was at that time in Florence. Federigo Ginori, who enjoyed his friendship, brought him often to my workshop, and through this introduction we became very intimate together. 4 Note 1. I may remind my readers that the three Medici of the ruling house were now illegitimate. Clement VII was the bastard son of Giuliano, brother of Lorenzo the Magnificent. Ippolito, the Cardinal, was the bastard of Giuliano, Duke of Nemours, son of Lorenzo the Magnificent. Alessandro was the reputed bastard of Lorenzo, Duke of Urbino, grandson of Lorenzo the Magnificent. Alessandro became Duke of Florence, and after poisoning his cousin, Cardinal Ippolito, was murdered by a distant cousin, Lorenzino de’ Medici. In this way the male line of Lorenzo the Magnificent was extinguished. Note 2. This painter was the pupil of Bertoldo, a man of simple manners and of some excellence in his art. The gallery at Bologna has a fine specimen of his painting. Michel Agnolo delighted in his society. Note 3. Cellini says 'Summam.'