But to come back to poets and artists;—if they really are more prone to
the abuse of stimulants,—and I fear that this is true,—the reason of it
is only too clear. A man abandons himself to a fine frenzy, and the
power which flows through him, as I once explained to you, makes him the
medium of a great poem or a great picture. The creative action is not
voluntary at all, but automatic; we can only put the mind into the proper
attitude, and wait for the wind, that blows where it listeth, to breathe
over it. Thus the true state of creative genius is allied to _reverie_,
or dreaming. If mind and body were both healthy and had food enough and
fair play, I doubt whether any men would be more temperate than the
imaginative classes. But body and mind often flag,—perhaps they are
ill-made to begin with, underfed with bread or ideas, overworked, or
abused in some way. The automatic action, by which genius wrought its
wonders, fails. There is only one thing which can rouse the machine; not
will,—that cannot reach it; nothing but a ruinous agent, which hurries
the wheels awhile and soon eats out the heart of the mechanism. The
dreaming faculties are always the dangerous ones, because their mode of
action can be imitated by artificial excitement; the reasoning ones are
safe, because they imply continued voluntary effort.
I think you will find it true, that, before any vice can fasten on a man,
body, mind, or moral nature must be debilitated. The mosses and fungi
gather on sickly trees, not thriving ones; and the odious parasites which
fasten on the human frame choose that which is already enfeebled. Mr.
Walker, the hygeian humorist, declared that he had such a healthy skin it
was impossible for any impurity to stick to it, and maintained that it
was an absurdity to wash a face which was of necessity always clean. I
don’t know how much fancy there was in this; but there is no fancy in
saying that the lassitude of tired-out operatives, and the languor of
imaginative natures in their periods of collapse, and the vacuity of
minds untrained to labor and discipline, fit the soul and body for the
germination of the seeds of intemperance.
Whenever the wandering demon of Drunkenness finds a ship adrift,—no
steady wind in its sails, no thoughtful pilot directing its course,—he
steps on board, takes the helm, and steers straight for the maelstrom.
* * * * *
—I wonder if you know the _terrible smile_? [The young fellow whom they
call John winked very hard, and made a jocular remark, the sense of which
seemed to depend on some double meaning of the word _smile_. The company
was curious to know what I meant.]
Public-domain text, read in full here on John Shaqi.
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