—I have lived by the sea-shore and by the mountains.—No, I am not going to say which is best. The one where your place is is the best for you. But this difference there is: you can domesticate mountains, but the sea is _feræ naturæ_. You may have a hut, or know the owner of one, on the mountain-side; you see a light half-way up its ascent in the evening, and you know there is a home, and you might share it. You have noted certain trees, perhaps; you know the particular zone where the hemlocks look so black in October, when the maples and beeches have faded. All its reliefs and intaglios have electrotyped themselves in the medallions that hang round the walls of your memory’s chamber.—The sea remembers nothing. It is feline. It licks your feet,—its huge flanks purr very pleasantly for you; but it will crack your bones and eat you, for all that, and wipe the crimsoned foam from its jaws as if nothing had happened. The mountains give their lost children berries and water; the sea mocks their thirst and lets them die. The mountains have a grand, stupid, lovable tranquillity; the sea has a fascinating, treacherous intelligence. The mountains lie about like huge ruminants, their broad backs awful to look upon, but safe to handle. The sea smooths its silver scales until you cannot see their joints,—but their shining is that of a snake’s belly, after all.—In deeper suggestiveness I find as great a difference. The mountains dwarf mankind and foreshorten the procession of its long generations. The sea drowns out humanity and time; it has no sympathy with either; for it belongs to eternity, and of that it sings its monotonous song forever and ever. Yet I should love to have a little box by the seashore. I should love to gaze out on the wild feline element from a front window of my own, just as I should love to look on a caged panther, and see it, stretch its shining length, and then curl over and lap its smooth sides, and by-and-by begin to lash itself into rage and show its white teeth and spring at its bars, and howl the cry of its mad, but, to me, harmless fury.—And then,—to look at it with that inward eye,—who does not love to shuffle off time and its concerns, at intervals,—to forget who is President and who is Governor, what race he belongs to, what language he speaks, which golden-headed nail of the firmament his particular planetary system is hung upon, and listen to the great liquid metronome as it beats its solemn measure, steadily swinging when the solo or duet of human life began, and to swing just as steadily after the human chorus has died out and man is a fossil on its shores?