The Automaton Ear, and Other SketchesMcLandburgh, Florence
Science
The Automaton Ear, and Other Sketches
McLandburgh, Florence
American fiction -- 19th century; Short stories, American
It was not one of the days upon which he gave lessons. There was only
the ripple of water over the stones and the rustle of leaves that
occasionally blew down from the trees, to break the profound quiet of
the place as he passed through his gate. Not one word had been spoken,
and still in perfect silence he carried the frail little being, that he
could feel trembling from head to foot—he carried her across the broad
veranda and into the pleasant parlor—not the room that the scholars
used, but where his cottage-organ stood. Then he drew the sofa up beside
the instrument and laid her down upon it.
Her fingers unclasped with a convulsive movement, and Franz turned his
face away, for the child had not uttered a sound. Her eyes, dry and
unnaturally bright, wore a startled look, a mute, beseeching expression,
like the eyes of a wounded animal, and the pallor of her countenance,
that had a wild grief branded upon it, was almost as ghastly in hue as
death. It was suffering terrible to behold, and the hands of the strong
man trembled as he opened the mahogany case of his organ.
There was a moment’s silence; then music, soft and sorrowful, floated
out on the air gently, almost timidly; so very mournful, that the
strain, beautiful though it was, seemed to have in it a human cry of
pain. It was a language that could appeal to the heart when word or lip
failed.
The child’s whole frame shook beneath the heavy sobs that swelled up in
her throat, and the great grief had opened its flood-gates. Hour after
hour he played untiringly, while the violence of the storm spent itself.
The music, at first sorrowful, hurt, had cried out in its pain; then it
grew into a measure so yearning, it seemed the very genius of sympathy.
Making an intense appeal, it swelled into a great passion, which
gradually became exhausted by its own intense vehemence, until about the
going down of the sun it died. And the child slept.
The wild storm of anguish was over. Upon the face, the thin, pale face
of the little girl in her slumber, there shone an expression of such
absolute rest that Franz, with a sudden movement, bent down his head and
listened. Had she passed with the music to the land where there are
strains that swell into a _gloria_ never ending? He held his breath. Was
this the reflection of that peace eternal, that rest which endureth
forever? A sob quivered for a moment on her features, and escaped from
the lips of the sleeper. No, no, for sorrow showed its painful presence.
She was not dead, and, at the sigh, sad though it was to see, the man
arose with a smothered exclamation of relief.
Public-domain text, read in full here on John Shaqi.
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