The Automaton Ear, and Other SketchesMcLandburgh, Florence
Science
The Automaton Ear, and Other Sketches
McLandburgh, Florence
American fiction -- 19th century; Short stories, American
She ran down the flight of stairs, looked first into the piano-room,
then into the parlor opposite. Both places were deserted, and the
instruments closed. The front door was bolted, and the master had
evidently retired. She went back to the guest-chamber. The child still
slept, and Margery held every nerve in suspense, but there was not the
least sound. She stepped to the window, pushed up the sash, then leaned
out and listened. The night was perfectly calm. What gentle breeze there
had been two hours before had died away and left a profound silence
unbroken even by the chirp of an insect. She closed the shutter, went
back to the bedside again for an instant; then, saying quietly to
herself, “It must have been mere fancy,” passed out to her own room, and
left the door partially open between the two apartments.
II.
So the little Alice had found a home. All the people in Pickaway
expressed their utter surprise at this unexpected generosity of the
penurious music-master. He certainly was about the last person in the
town from whom such an act might have been anticipated. Indeed, it was
little short of an enigma to the place. But their astonishment knew no
bounds when, within a few days after he had taken the little girl, he
quietly dismissed all his pupils, and steadily refused to give any more
lessons to a single soul. Nothing could prevail upon him, no entreaties
whatever could persuade him, and he could never be induced to offer the
least explanation.
Some of the wealthier ones, unwilling to give him up, had voluntarily
proposed to pay double the former price, but even money, which all the
village had thought the god of his life, failed to move him from his
determination. He was inexorable. Every body wondered what might be the
reason. No person could discover any apparent cause why he should so
suddenly give up teaching. They inquired about his health. It was very
good, he said. Did he expect to leave home? No. He would continue to
play the church-organ? Yes, oh, yes; he had no intention of stopping
that. So they conjectured until tired of the task, while Franz Erckman
paid no attention.
However, as the days grew into weeks, and the weeks into months, all the
village saw that a change had come over the organist. He was less
communicative than formerly, and more severely reserved.
From the borders of the creek the fringe of scarlet flowers had
vanished. The myriad leaves had lost their rainbowed glory, and dropped,
one after another, in russet tatters to the ground. The woodbine had
thrown off its vermilion raiment, and now stretched up unclothed its
weird and snake-like arms. The group of maples had laid down its golden
crown; the hills, too, had cast aside their tiara of brilliant emerald.
The Summer and Fall, in all their emblazoned splendor, had passed by,
and the gorgeous livery of Autumn faded to the grizzled hues of Winter.
Public-domain text, read in full here on John Shaqi.
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