The Automaton Ear, and Other SketchesMcLandburgh, Florence
Science
The Automaton Ear, and Other Sketches
McLandburgh, Florence
American fiction -- 19th century; Short stories, American
The villagers, by groups, in twos, in threes, with happy faces, coming
from far and near, poured into the church. Paying no heed to any one as
he passed, Franz entered by the side door, and went immediately up into
the organ-gallery. With glad eyes, the little Alice saw the church in
its festival decorations. Beautiful wreaths of cedar coiled themselves
around the great pillars, and crept in waving lines over altar, arch,
and casement, their unfading green sometimes flecked with amber,
sometimes dyed in violet light, as the rays of the sun caught the tints
from the windows of stained glass. Resting against the center of the
chancel rail, a magnificent cross of hot house flowers loaded the air
with the perfumes of summer—an incense more pure and holy than the
incense of myrrh; and on either side sprays of English ivy, in long and
twining branches, displayed their wax-like leaves.
The last vibrations of the bell died away. The congregation chanted its
anthem; the minister read the Christmas service; and the first strains
of the organ-voluntary, after the close of the litany, sounded through
the church. The little Alice, with a throbbing pulse, crept close to
Franz as he played; but it was only the familiar music, that the world
already knew by heart, and had heard a thousand times before. Poor
Franz, warring against himself, had been driven back to the composition
of others, though he knew he possessed within him a power that should
have created, that should have raised him above all written measure. But
now even his execution was a dead, mechanical labor.
A swift expression of keen disappointment fell upon the child’s face.
She looked up at him, with a gesture, slight but strangely appealing,
and with eyes filled by a sorrowful reproach—such a look as one might
wear in the last moment, whose most cherished friend had suddenly turned
and dealt him a death-blow.
But Franz played on mechanically, with the pang of despair at his heart.
Suddenly, half-way in a bar, in the very midst of a single note almost,
a sensation of fear came upon him—an overwhelming awe that seemed to
lock his muscles and turn his hands into stone. The organ ceased
abruptly; he sat motionless as a statue; and a death-like silence
reigned throughout the church. Had the same unaccountable awe fallen
upon the congregation, too? The whole universe waited.
Public-domain text, read in full here on John Shaqi.
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