The Automaton Ear, and Other SketchesMcLandburgh, Florence
Science
The Automaton Ear, and Other Sketches
McLandburgh, Florence
American fiction -- 19th century; Short stories, American
The waves roared at him in anger, and the winds joined them in their
rage. Fiendish spirits seemed to rise up before him that were fierce to
clutch him and gloat over his terror. The lights in the west danced
together and glared at him in mockery, and his own beacon threw its cold
white rays over the familiar aperture where the iron rods of the
water-gates rose; but that opening had suddenly become an undefined
horror to him. The very terror with which he regarded it drew him to its
verge. He cast his eyes into its depths, down upon the troubled but
black and silent water, and glared at the vision which met his strained
sight, for the ghostly face of the man who had been murdered in the
tunnel peered at him through the uncertain light.
There was only the dog that he could fly to in his agony, but it, too,
had a strange appearance and answered his call by low plaintive howls
that sent a shiver through his frame. He repeated its name aloud, and
Caspar crawled closer to his master, still at times making moans that
sounded sorrowful—almost like the pleading of a human voice in distress,
and he thought its eyes had a strange reproachful gaze. While he spoke
to it, the dog uttered a prolonged wail. Stahlmann shivered, and a cold
chill crept through his blood; all his superstition was roused afresh.
The wind lost its rage and died down to funeral-sobs. The sound of the
waves fell into a dirge-like cadence, and that melancholy wail which had
chilled his blood rang in his ears—it rang with the awful significance
of an evil omen long after it had died upon the air. The dog lay
perfectly motionless; he stooped to stroke it, but it did not move. He
stared at it with a bewildered gaze, when suddenly the horrible reality
with the fearful explanation, broke upon his half-crazed brain, and he
staggered back with a wild shriek. In the utter misery of his solitude,
in his strange grief for the loss of the drowned corpse, and his terror
from the hallucinations of a disordered intellect, he had neglected to
feed his faithful dog, and had starved to death the only living creature
that existed for him in the world. Caspar was dead.
Stahlmann in his agony seemed to hear once more the piteous cry which
the dog had uttered with its expiring breath, and to him the wail
sounded in its pathetic mournfulness like the mysterious herald of
another death.
The diary is so blurred at this point that it is hardly legible. What
can be read is incomprehensible from broken, incoherent sentences—the
empty language of a lunatic. Save one remaining passage, I could make
out nothing further. This entry must have been written in a lucid
interval when he realized to what a fearful condition he had been
reduced by unbroken solitude. Because it is the last record, I translate
it literally, as follows:
“That cry again—what have I come through? Hell with its host of furies
can not be worse than this awful Crib—I kill myself.
Public-domain text, read in full here on John Shaqi.
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