The Automaton Ear, and Other SketchesMcLandburgh, Florence
Science
The Automaton Ear, and Other Sketches
McLandburgh, Florence
American fiction -- 19th century; Short stories, American
“You’re right! I ain’t got no relatives an’ nobody to look after, so
thar isn’t any sense in workin’ too much. That’s just what I say.”
And that is just what he always did say, poor Simlin, but he never
ceased, notwithstanding. Nearly every body that knew him and spoke to
him about it always found him quick to acquiesce: “Thar was nothin’
plainer than what they said, and it was just what he said, too.” But it
did not make the slightest difference, for he continued to work away all
the same; so what else could be done but merely to give up the question?
Now, if he had only expressed himself in decided opposition, there might
have been something to hope for in the matter—at least, it would have
opened the way for an argument upon the subject; and, then, there was
always the possibility that he might be induced to change his mind.
However, his provoking approval put the case wholly beyond reach. And so
old Simlin, toiling early and late, quietly followed his vocation.
There was not a better moulder in the whole foundry, or one that drew
much higher wages. But, then, he was getting old. To be sure, he never
had been young, so far as they knew any thing about him, even ten years
ago, when, altogether unknown and friendless, he had first made his
appearance in the village. But these ten years combined had not worn
upon him like the last one. His head now, if once the soot had been
removed, would not have shown a single black hair; and his voice was
weak and cracked, and there was a visible trembling about the old man’s
legs. Perhaps he did imbibe liquor; but nobody had any right to say so,
for nobody could prove that it was true. Only of late he had a strangely
confused manner when anyone addressed him, and, raising his unsteady
hand nervously to his head, would repeat the sentence that had been on
his lips a hundred, yes, a thousand times, until it had long ago grown
into a stereotyped form—“I ain’t got no relatives an’ nobody to look
after, so thar isn’t any sense in workin’ too much.”
Perhaps he really thought that the people would never see that he was
straining every effort, using every moment of his time, though, before
the sun was up, and often after it was gone, the old man was at his
place. And Simlin was always the first on hand if there was an extra job
that would bring an extra cent.
Public-domain text, read in full here on John Shaqi.
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