Detective and mystery stories; Kidnapping -- Fiction; Missing persons -- Fiction; Motion picture actors and actresses -- Fiction
But the old man showed no sign of antagonism. His voice was gentleness
itself. He seemed to feel and express a pride in crimes which, to his
brain, were not crimes at all.
“If you really wish me to go into Chichester with you to-night, of
course I will go,” he said. “You may be right in your own estimation,
even in the estimation of your superiors, but, in ending my work, you
are rendering a cruel disservice to miserable humanity, to serve which I
have spent thousands of pounds. But I bear no malice.”
He took a bottle from the long oaken buffet against the wall, selected
two glasses with scrupulous care, and filled them from the bottle.
“We will drink our mutual good health,” he said with his old courtesy,
and, lifting his glass to his lips, drank it with that show of enjoyment
with which the old-time lovers of wine marked their approval of rare
vintages.
“You’re not drinking?” he said in surprise.
“Somebody else has drunk.”
There was a glass half empty on the buffet: Michael saw it for the first
time.
“He did not seem to enjoy the wine.”
Mr. Longvale sighed.
“Very few people understand wine,” he said, dusting a speck from his
coat. Then, drawing a silk handkerchief from his pocket, he stooped and
dusted his boots daintily.
Michael was standing on a strip of hearth-rug in front of the fireplace,
his hand on his gun, tense but prepared for the moment of trial. Whence
the danger would come, what form it would take, he could not guess. But
danger was there—danger terrible and ruthless, emphasized rather than
relieved by the suavity of the old man’s tone—he felt in the creep of
his flesh.
“You see, my dear sir,” Longvale went on, still dusting his boots.
And then, before Michael could realize what had happened, he had grasped
the end of the rug on which the detective was standing and pulled it
with a quick jerk toward him. Before he could balance himself, Michael
had fallen with a crash to the floor, his head striking the oaken
panelling, his pistol sliding along the polished floor. In a flash, the
old man was on him, had flung him over on his face and dragged his hands
behind him. Michael tried to struggle, but he was as a child in that
powerful grip, placed at such a disadvantage as he was. He felt the
touch of cold steel on his wrists, there was a click, and, exerting all
his strength, he tried to pull his other hand away. But gradually,
slowly, it was forced back, and the second cuff snapped.
There were footsteps on the path outside the cottage. The old man
straightened himself to pull off his silken gown and wrapped it round
and round the detective’s head, and then a knock came at the door. One
glance to see that his prisoner was safe, and Longvale extinguished the
lamp, blew out one of the candles, and carried the other into the
passage. He was in his shirt-sleeves, and the Scotland Yard officer, who
was the caller, apologized for disturbing a man who had apparently been
brought down from his bedroom to answer the knock.
Public-domain text, read in full here on John Shaqi.
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