The Awakening of ChinaMartin, W. A. P. (William Alexander Parsons)
History
The Awakening of China
Martin, W. A. P. (William Alexander Parsons)
China; China -- History; Eastern question (Far East)
Six years ago her seventieth birthday was celebrated with great
pomp, although she had forbidden her people to be too lavish in
their loyalty. At Wuchang, Tuan Fang, who was acting viceroy, gave
a banquet at which he asked me to make a speech in the Dowager's
honor. The task was a delicate one for a man who had borne the
hardships of a siege in 1900; but I accepted it, and excused the
Dowager on the principle of British law, that "The king can do no
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wrong." Throwing the blame on her ministers, I pronounced a eulogy
on her talents and her public services.
The question arises, did we know her in person and character? Have
we not seen her in that splendid portrait executed by Miss Carl,
and exhibited at St. Louis? If we suspect the artist of flattery,
have we not a gallery of photographs, in which she shows herself
in many a majestic pose? Is flattery possible to a sunbeam? We
certainly see her as truly as we see ourselves in a mirror!
As to character, it is too soon to express an opinion. _Varium
et mutabile semper femina_.
To pencil and sunbeam add word-pictures by men and women from whose
critical eyes she did not conceal herself; and we may confidently
affirm that we knew her personal appearance as well as we knew that
of any lady who occupies or shares a European throne. A trifle
under the average height of European ladies, so perfect were her
proportions and so graceful her carriage that she seemed to need
nothing to add to her majesty. Her features were vivacious and
pleasing rather than beautiful; her complexion, not yellow, but
subolive, and her face illuminated by orbs of jet, half-hidden
by dark lashes, behind which lurked the smiles of favour or the
lightning of anger. No one would take her to be over forty. She
carried tablets on which, even during conversation, she jotted
down memoranda. Her pencil was the support of her sceptre. With it
she sent out her autograph commands; and with it, too, she inscribed
those pictured characters which were worn as the proudest decorations
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of her ministers. I have seen them in gilded frames in the hall
of a viceroy.
The elegance of her culture excited sincere admiration in a country
where women are illiterate; and the breadth of her understanding
was such as to take in the details of government. She chose her
agents with rare judgment, and shifted them from pillar to post,
so that they might not forget their dependence on her will. Without
a parallel in her own country, she has been sometimes compared
with Catherine II. of Russia. She had the advantage in the decency
of her private life; for though she is said to have had favourites
they have never dared to boast of her favours, nor was a curious
public ever able to identify them.
Public-domain text, read in full here on John Shaqi.
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