The Awakening of the East: Siberia—Japan—ChinaLeroy-Beaulieu, Pierre
History
The Awakening of the East: Siberia—Japan—China
Leroy-Beaulieu, Pierre
China; East Asia; Eastern question (Far East); Japan; Siberia (Russia)
The moment the traveller enters the harbour of Nagasaki he finds himself
surrounded by the most extraordinary contrasts. In the first place, the
scenery is quite charming: the mountains are a delightful green and are
thickly draped with foliage, from which peep out a number of pretty
little wooden houses, whose windows are replaced by sliding
paper-panels. The sea is dotted with rocky islands covered with those
picturesque Japanese fir-trees whose outline is as varied as it is
graceful. Here and there rise from the water curious little
fishing-sheds, the delight of the amateur photographer, which add
considerably to a landscape which looks for all the world like an
animated picture off a Japanese screen. One can scarcely believe that it
is all real, and certainly not that it was at one time the scene of a
terrible tragedy: yet such it was, for from one of the neighbouring
islands in 1638—yclept Pappenberg—several hundred Christians were cast
into the sea. Presently we see rising in the background a tall chimney
with its streaming cloud of smoke, and the noise of machinery in motion
grating upon our ears reminds us somewhat unpleasantly that modern
civilization has at length penetrated into Japan, and the better to
emphasize this fact, our steamer is presently surrounded by a fleet of
ugly coal-barges, and a sudden turn brings us face to face with the
ships and flags of all nations—British, French, German, Russian, and
American.
On the other side of the bay, in the docks recently constructed by the
Mitsubishi Company, workmen are busy building a 5,000–ton vessel. Not
far distant, on the southern slope of the hill overlooking the town, is
the European quarter, situated in the midst of delightful gardens. The
elegant steeple of the Catholic church rises sharply from among the
pine-trees, and contrasts favourably with the massive and very ugly
building—an eyesore on the pretty scene—that disagreeably emphasizes the
very bad taste of the American missionaries, as also the absolute
tolerance which the Government of the Mikado accords to all
denominations in a country where, not so very long ago, so great was its
exclusiveness that even the shipwrecked were put to a cruel death. As I
gazed upon this charming scene, I could not forbear picturing to myself
how it must have looked fifty years ago when a solitary Dutch vessel
landed its tiny cargo for the benefit of a few foreign merchants
imprisoned in the artificial island of Deshima, the only spot where they
were allowed to live, and even then subjected to many vexatious
humiliations.
Public-domain text, read in full here on John Shaqi.
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