The Awakening: (The Resurrection)Tolstoy, Leo, graf
General
The Awakening: (The Resurrection)
Tolstoy, Leo, graf
Forgiveness -- Fiction; Russia -- Social life and customs -- Fiction
Ragojhinsky was a man without reputation or fortune, but a clever
fortune hunter, who, by skillful manoeuvering between liberalism and
conservatism, availing himself of that dominating tendency which
promised bitter results in life, but principally by something peculiar
which attracted women to him, he succeeded in making a relatively
brilliant judicial career. He was already past his youth when he met
Nekhludoff abroad, made Natalie, who was also not very young, to fall
in love with him, and married her almost against the wish of her
mother, who said that it would be a mésalliance. Nekhludoff, although
he concealed it from himself and struggled against the feeling, hated
his brother-in-law. He disliked his vulgar feelings, his
self-confident narrowness of mind, but, principally, because of his
sister, who should so passionately, egotistically and sensually love
such a poor nature, and to please whom she should stifle all her noble
sentiments. It was always painful to Nekhludoff to think of Natalie as
the wife of that hairy, self-confident man, with shining bald head. He
could not even suppress his aversion to his children. And whenever he
heard that she was about to become a mother, he experienced a feeling
of compassion for her being again infected with something bad by the
man who was so unlike all of them.
The Ragojhinskys arrived without their children, and engaged the best
suite in the best hotel. Natalie Ivanovna immediately went to the old
home of her mother, and learning there that her brother had moved to
furnished rooms, she went to his new home. The dirty servant, meeting
her in the dark, ill-smelling corridor, which was lit up by a lamp
during the day, announced that the Prince was away.
Desiring to leave a note, Natalie Ivanovna was shown into his
apartments. She closely examined the two small rooms. She noticed in
every corner the familiar cleanliness and order, and she was struck by
the modesty of the appointments. On the writing table she saw a
familiar paper-press, with the bronze figure of a dog, neatly arranged
portfolios, papers, volumes of the Criminal Code and an English book
of Henry George, and a French one by Tard, between the leaves of which
was an ivory paper knife.
She left a note asking him to call on her the same evening, and,
shaking her head in wonder at what she had seen, returned to her
hotel.
Public-domain text, read in full here on John Shaqi.
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