The Award of Justice; Or, Told in the Rockies: A Pen Picture of the WestBarbour, A. Maynard (Anna Maynard)
General
The Award of Justice; Or, Told in the Rockies: A Pen Picture of the West
Barbour, A. Maynard (Anna Maynard)
Mountain life -- Fiction; Rocky Mountains -- Fiction
Houston was fired with new ambition that morning; he would no longer
have to work alone, keeping his anxieties and doubts, his plans and
discoveries alike to himself; from henceforth he would have
companionship, counsel and assistance, and he felt a new interest and
enthusiasm.
Immediately after breakfast, the two set forth upon their first day's
work. Going first to the mills, Houston secured the services of two or
three men who could be spared from the ordinary work, to assist Van
Dorn in making preparations for the erection of the machinery; then he
left for his early visit to the mines.
It was nearly ten o'clock when, having finished his round of duties at
the mines, and coming up to the surface from the cool, underground
workings, he found the heat almost unendurable, and strolled over to
the mills, to see how Van Dorn was progressing. The latter did not
seem averse to stopping for a few moments, and for a while, the two
chatted and laughed with the old, careless abandon of their college
days, without a thought of the more serious side of life, until,
something being needed for the work, which Houston thought was in the
tool-house, they proceeded together to look for it.
Houston was still searching for the needed implements, when Van Dorn,
who was near the door, called out:
"I say, Everard, here's a small specimen of humanity who seems to be
looking for you in a desperate hurry," and an instant later, he heard
a familiar voice say:
"Is the boss in there, mister? Le'me in quick, I wan'ter see 'im!"
Turning quickly, he saw Bull-dog, breathless, pale and quivering with
excitement.
"Say, boss," he gasped, before Houston could speak, "they want
yer--down ter the Y,--Morgan has shot hisself!"
"What is that, boy?" exclaimed Houston hoarsely, clearing the space
between them at a bound.
"Morgan's shot hisself, 'n they sent us fer yer,--me'n Hank,--he's out
there," with a backward jerk of his thumb over his shoulder toward the
open door.
Houston sprang to the door; another boy was talking excitedly with Van
Dorn, while his horse stood, panting heavily and covered with dust and
foam.
"Here's the man you want," said Van Dorn, turning a white face toward
Houston, "Great God, Everard!" he exclaimed, "Morgan has killed
himself!"
"He is not dead!" exclaimed Houston, turning towards the boy.
The latter nodded; "They found 'im shot through the head, 'n this was
in his hand, 'n the cops won't let nobody in till you come," and he
handed Houston a bit of paper.
It was a scrap of newspaper, crumpled and spattered with blood, and,
as Houston smoothed it out, he read on the margin, in characters
wavering and almost illegible, written with a trembling hand, but
still Morgan's writing, "Send to the camp for Houston, he's the only
friend I've got."
Public-domain text, read in full here on John Shaqi.
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